Rhythm for Reading - sustainable reading intervention for schools

Sign up for Free Weekly Insights

We respect your email privacy

The Rhythm for Reading blog

All posts tagged 'reading-programme'

Has the teaching of synthetic phonics addressed ‘Matthew effects’?

15 March 2024

Image credit: Marisa Howenstine
Image credit: Marisa Howenstine

‘Matthew effects’

Given everything that educational researchers have uncovered about reading and the attainment gap between socially advantaged and disadvantaged children, it is dismal that the ‘gap’ has widened, even though the teaching of reading has been delivered in a specific way, across the nation for the past fourteen years.

Historically, there was a concern that an emphasis on independence in the early years classroom (e.g. Whitebread et al., 1996); and a ‘loose framing’ of learning worked rather well for children from middle class backgrounds, but less well for disadvantaged children. Going back a little further, to Hart and Risley’s (1995) research on the ‘vocabulary gap’ we can see that fundamental inequalities in educational outcomes pointed to differences in exposure to language itself in the child’s home environment.

The link between the attainment gap in reading and Matthew effects (Stanovitch, 1986) in which the rich will get richer and the poor will get poorer, has been shown to play out not only throughout a child’s school career, but also in adult life as well. For decades, researchers from different nations have used ‘Matthew effects’ to explain the achievement gap in reading and eventually identified ‘school readiness’ as key (Duncan et al., 2007).

A more structured, tightly-framed and traditional form of pedagogy was proposed, but the allocation limited educational resources is always a matter of debate. Intergenerational cycles may influence these decisions, such as persisting patterns of aversion toward school. Within schools, some families have complex needs, such fundamental push and pull factors influence opinion on whether it is even feasible to reverse ‘Matthew effects’.

High standards for all children

Viewing education through the lens of equality - every child should be offered the ‘same chance’ at learning. An equitable viewpoint would offer a more nuanced approach - every child should be given the opportunity to learn in the way that is most appropriate to them. Offering every child the ‘same chance’ is too blunt a tool, whereas the equitable approach is too individualised. The nature of learning is related to the nature of everything because the set point and state of a child’s nervous system is set by their environment, and it is this that has a direct impact on a child’s capacity to learn. By improving the early environment of the child, therefore, there was a good chance that ‘Matthew effects’ could be addressed.

Policies that have improved the early environment for disadvantaged children have provided security and safety, and enabled parents to move out of a fear-based state of pure survival. Initiatives such as ‘Sure Start’ supported the early life experiences of children through a range of services that were tailored to meet the needs of the most disadvantaged families. Single parent families in particular needed support not only to budget carefully, to make healthier choices for their children’s nutrition, but also to cope with depleted reserves of energy and low levels of emotional well-being. Since austerity measures were put in place, however, many ‘Sure start’ centres lost considerable amounts of funding or were closed. In addition to losing those resources, disadvantaged families were forced to choose between heating and eating. For families who chose to eat, the growth of black mould has impacted their children’s respiratory health, whereas families who chose to heat their homes have had hungry children and have relied on free school meals and food banks.

The Rose Report

If addressing the basic needs of disadvantaged families through the ‘Sure Start’ scheme was a first step in reversing ‘Matthew effects’, the second step was a recommendation by the House of Commons Education Select Committee, that the government commissioned an enquiry into the teaching of reading. It was led by Sir Jim Rose, former Director of Inspection for Her Majesty’s Inspectorate. The report recommended that the ‘Simple View of Reading’, wherein reading was the product of ‘word recognition’ and ‘language comprehension’, as proposed by Gough and Tumner (1986), would serve as a model for reading development. An approach known as synthetic phonics became statutory, amid reservations from many influential educationalists, but this was deemed the most appropriate solution to the issue of the decade: the ‘long tail of educational underachievement’.

Gough and Tumner’s theoretical model, like most strong theories is remarkably simplistic and thus, robust. The ‘Simple View of Reading’ was proposed some ten years before the so-called ‘vocabulary gap’ had been identified by Hart and Risley (1995). Viewed through the lens of the ‘vocabulary gap’ it is not difficult to appreciate that socially advantaged children were more likely to find the vocabulary in books to be relevant and relatable. They were also more likely to have longer attention spans, constructed through years of experience ‘conversational turns’ in day-to-day life, and would be expected to sustain their attention from the beginning to the end of a story.

Perhaps most important of all, advantaged children were more likely to have had stories read to them in a nurturing environment and therefore would readily associate reading within an atmosphere of comfort and security. I would imagine that this feeling would predispose them to approach learning with ease and confidence.

Do schools widen the attainment gap?

Arguably then, children from advantaged backgrounds would experience school as an extension of home, as evidenced in Whitebread and colleagues’ chapter, “Our classroom is like a cosy little house,” (Whitebread et al., 1996) and that access to books and enrichment would be a strong part of the continuity between the two. Contrastingly, some children from disadvantaged backgrounds start school with only 30-40 words in their vocabulary according to an Ofsted Report, (2014). And according to child development experts, children would be expected to have fifty words in their vocabulary by their second birthday (Wise and Bradford, 1996).

If a child from a disadvantaged background was already struggling with a fragmented attention span and a style of language comprehension that had been forged in a stressful environment, then listening to stories, would prove challenging, (particularly if the child was also hungry). Imagine also, that this socially disadvantaged child must then cope with learning words that are deliberately nonsensical, such as ‘vol’, ‘teg’, ‘jat’ and ‘ind’ (Standards an testing Agency, 2014). This type of teaching has always been controversial, but in the context of social disadvantage it is arguably unethical and presents struggling children with an unnecessary educational hurdle, adding insult to injury to a child with an already strained nervous system.

Verifying ‘Matthew effects’

Educational policy alienates all children, through the Year 1 Phonics Check, which tests children’s knowledge of phonemic-graphemic correspondence by including pseudo-words. Perhaps this amounts to nothing more than a playful ‘curved ball’ for some children, but by Year 1, teachers have already identified those at risk of failing the phonics check and have informed their parents to this effect.

Thus, ‘Matthew effects’ are verified, even at this early stage. One of the functions of baseline testing is to place the children on trajectories of predicted progression, and to hold schools accountable to realising those outcomes. An idealised view of an education system would include the aspiration that it mitigates social disadvantage. The current system however, does not appear to aspire in this way. Typically, it is the children in need of the most support who spend the most time out of the classroom, working with the least qualified members of the teaching team. The most qualified members of the team meanwhile stay in the classrooms, working with socially advantaged children.

The pandemic has widened the attainment gap. Children are still suffering and CAHMS is overstretched, with long waiting lists, with high levels of risk of self-harm placing children and adolescents in urgent need of professional help. At the same time, the culture of scrutiny, and accountability in schools has intensified, and now more than ever, there is an urgent need for balance in education.

Children are more likely to recover their equilibrium and confidence following the pandemic with regular access to opportunities to develop their self-expression. The mode of self-expression would of course vary from child to child and might include sport, martial arts, storytelling, pottery, art, music or dance. As a nation with a strong creative sector, we have ample resources to support children in this way. Time spent in nature, nurturing friendships, and in recreational play is also necessary for well-being, and will help children to gain a sense of safety in the wider context of social life.

Summary

Together, children with their capacity for play and self-expression can help each other to feel a renewed sense of safety and belonging through friendship, creativity and self-expression. Most importantly, when children feel safe, they begin to focus their attention. This enables generalised states of vigilance and anxiety to stabilise and move towards a more balanced state. When children realise that they are able to learn, their desire to learn grows.

The sense of relief that follows, relaxes their muscles around the shoulders, the voice and the neck. They perceive phonemes more clearly and begin to enjoy their learning journey. A structured, small group teaching environment is highly effective in this context and resets a child’s feeling of ease in their social environment. The Rhythm for Reading Programme has a strong track record in helping children to feel happy at school (in mainstream and special schools alike) as well as improving their early reading skills and phonological processing.

To discuss your school’s needs, click here.

To read our case studies, click here.

If you enjoyed this post, keep reading!

Conversations and language development in early childhood

The Hart and Risley (1995) study showed perhaps surprisingly that infants initiate conversations with their parents more than the parents do. This may happen at the most inconvenient moments for the adults, but if parents are aware that their child needs to interact in order to develop language skills, that would set them up for life: they would probably pay closer attention to these subtle attempts to initiate interaction.

Conversations, rhythmic awareness and the attainment gap

Although the richness of vocabulary was hugely advantageous for children from better-off homes in the Hart and Risley study, researchers have discovered that the opportunities for conversational turns between parents and their children, for example when sharing a book, were even more beneficial than vocabulary development. Conversations have also been identified as a marker for maternal responsiveness, positive emotional exchange and social engagement (Paul & Gilkerson, 2017).

It’s anti-bullying week: How does fear affect learning?

Recently, I read that an act of aggression is a natural ‘active coping strategy’ and is rewarded by a dopamine hit. Conversely, a submissive, ’passive coping strategy’ results in stress-induced withdrawal and even generates a ‘shutdown’, an immediate energy-conserving behavioural response. The setting for these social experiments was a laboratory. The brains of mice and rats were dissected following each behavioural task. Slices of tissue were examined to determine the levels of reward and stress induced by each type of ‘social situation’ manipulated by the researchers.

How does this relate to anti-bullying week? Well, in terms of brain structure, neurochemistry and behavioural responses, mice and rats are considered to bear a close enough resemblance to humans to deem such work ethical, justifiable and relevant.

Child development in 2024: Learning versus hunger

In recent weeks, there has been coverage on the rapid rise of ‘baby banks’ (Chloë Hamilton, The Guardian Newspaper). These are like food banks, but specialise in providing free nappies, baby formula, clothes and equipment. We have 200 branches in the UK and just as the Christmas holidays were about to start, there was also a piece about headteachers reporting malnourishment among their pupils (Jessica Murray, The Guardian Newspaper).

Having delivered the Rhythm for Reading programme in schools that also function as community food banks, and having seen children faint from hunger while at school, I am in no doubt that nothing can be more important to a civilised and caring society than children’s physical well-being - hungry children cannot learn anything at all.

REFERENCES

Duncan et al. (2007) School readiness and later achievement, Developmental Psychology, 43 (6), 1428-1446.

Gough, P. and Tumner, W. (1986) Decoding, Reading and Reading Disability, Remedial and Special Education, 7, 6 -10

Hart, B. and Risley, T. (1995). Meaningful differences in the everyday experience of young American Children, Baltimore, M.D., Brookes.

Office for Standards in Education (2014) Are you Ready? Good Practice in School Readiness, London

Rose, J. (2006) Independent Review of the Teaching of Early Reading (The Rose Report). London Department for Education and Skills.

Standards and Testing Agency (2014) Phonics Screening Check: Children’s Materials. London: Standards and Testing Agency

Stanovich, K. (1986) Matthew effects in reading: Some consequences of individual differences in the acquisition of literacy, Reading Research Quarterly, 21, 360-407.

Whitebread, D. Et al., (1996) “Our classroom is like a little cosy house!” Organising the early years classroom to encourage independent learning, In D. Whitebread and P. Coltman, ‘Teaching and Learning in the Early Years, London and New York: Routledge.

Wise, D. and Bradford, H. (1996). “You’re supposed to tell me your name now!” Speaking and listening in the early years. In D. Whitebread and P. Coltman, ‘Teaching and Learning in the Early Years, London and New York: Routledge.

Musical teamwork and empathy

28 February 2024

Image credit: S.B. Vonlant via Unsplash

Teamwork

There’s tension in teamwork! On the one hand there’s the idea that ‘teamwork makes the dreamwork’, pointing to the ideal situation in which everyone pulls together to attain goals that are shared and for the good of the whole community - for instance in a social enterprise. The maxim, ‘There’s no ‘I’ in team’ tells us that people sometimes contribute to teamwork with other intentions - perhaps they see it as an opportunity to outshine, usurp or even exploit the efforts of others.

Let us think for a moment about a community of traditional hunter gatherers, researched by anthropologist Jerome Lewis at ULC. They have life ways built on teamwork: - Women and men carry out their day-to-day roles in separate groups and the two groups alternate in terms of taking on the responsibility for leadership and decision-making. In this way, the community maintains a rhythmic balance, like the swing of a pendulum, between the perspectives of the men and then the women. The elders of the community, particularly the women, encourage everyone to ridicule any young person who wants to be louder, faster or smarter than others in the group.

The qualities of teamwork have also been studied by neuroscientists and there are no surprises here. Teamwork involves joint action, communication and empathy: people’s actions naturally fall into coordination with one another. We see this in social situations where there is obvious mirroring - one person sips water from a glass and then others at that table do the same, perhaps as a symbolic intention of unity.

On the one hand, there are distinct disadvantages to group behaviour and teamwork, because imbalances within the group can generate a false sense of security, potentially affecting many people:

  • ‘groupthink’ - when people are not able to discuss matters openly and one opinion dominates,
  • bias - when clear thinking is sidelined by ideology and the whole group loses touch with reality,
  • double standards - when a minority abuse the value system held by the group to dominate and repress the majority.

On the other hand, the advantages of teamwork and a sense of group membership are beneficial in the long term for our health and well-being. For example, it is easier for us to coordinate repetitive actions with others and to communicate regularly in small groups. This is because as humans, we are hard-wired to rely on group effort to guide both our day-to-day behaviour as well as our longer term goals. Teamwork is advantageous in the long term in the following ways:

  • it is economical in terms of energy expenditure,
  • coordinated actions look and sound impressive to outsiders,
  • predators will likely be deterred, and
  • people feel they belong and are safe.

Musical teamwork

In both contemporary western cultures and extant hunter gatherer societies, humans are coordinated in time by feeling a shared rhythm - whether that is via a physical action, a chant or a song. The repetitive nature of many actions means that the movement is not only coordinated in time but also refined in space.

This is a natural phenomenon that applies to most species - for example, bees secrete wax and form hexagonal cells in honeycomb because a hexagon shape allows for economic use of repetitive, rhythmic movement and energy, without compromising the stability and strength of the cell walls. We see a stylised version of this in formal military displays around the world, and a more relaxed version in informal crowd behaviour (such as a ‘Mexican wave’ or clapping in time) at cultural events for example at a sports stadium - whether enjoying a match or a pop concert.

The formation of a group identity in the context of working together involves mutual trust, respect, a desire to achieve results through coordinated precision and also the flexibility that is needed to achieve an optimal result. In musical teamwork, this level of cooperation is practised as a discipline ‘for its own sake’ because the people involved share joint musical goals. These might be modest such as journeying through a new musical score, or writing a new song together. The joint experience of traversing the musical ‘unknown’ is mysterious and requires coordination and coherence - similar to navigating a cave in the dark. Or, the goal might be more aligned with artistry, such as working together to balance all of the nuances of a known piece of music, so that the performance of a particular work comes across as a sublime entity of perfectly structured, balanced, ’architectural’ proportions, although in real time.

So, in describing different types of joint action in music - as in many things - it becomes obvious that some teams could be described as ‘elite’ and some as ‘inclusive’. In both groups (provided there is a sense of joint action, trust and positive teamwork) the neuropeptide, oxytocin (aka ‘the love hormone’) works quickly to build bonds between people and to form what are known among social psychologists as ‘in groups’ and ‘out groups’ (a power imbalance usually favours the ‘in group’).

For instance, in the Rhythm for Reading programme, we uphold an inclusive ethos. This is very important as everyone involved must feel that they can play a meaningful role in contributing to the effort of their group, each week. When, on occasion, a teacher has tried to introduce a new child into a group of ten children, or to swap two children between different groups (there may be six groups of children taking part in one school), the trust and the bonds in the affected groups may be dissolved, probably because of the influence of oxytocin on group identification..

So, to sum up, teamwork is an important and impactful aspect of the Rhythm for Reading programme.

Musical teamwork and empathy

An abundance of research findings point to the ‘prosocial’ impact of joint music-making (Hallam and Himonides , 2022). Being involved in music making requires sustained and coordinated joint action. For example, each person is aware of their own contribution, but they also have oversight of, as well as respect and responsibility for, the overall effect. In other words, each person would be listening and personally invested in the balance of the music in terms of its:

  • musical texture - anticipating and blending their own sound in proportion to the sounds of others,
  • pitch and melodic line - anticipating and aligning a single pitch or a melody with the pitch of others,
  • rhythm and tempo - keeping in time with others, anticipating and contributing to the vibrancy of shared rhythm, and
  • harmony - phrasing and blending their own sound within a shared ownership of harmony and structure.

In the anthropological work of Jerome Lewis, joint music making within the community of hunter gathers involved singing to their homeland - the nature around them in the Democratic Republic of Congo (DRC). Each level of richness of the equatorial forest was represented in their complex music, so that within communal music making, many rhythms and melodies were sung, balanced, and harmonised together. If one person protruded or was conspicuous, the precious balance of the musical ecosystem was lost and that person would be known as, ‘an energy thief’.

In music education in the UK, different types of music tend to require different kinds of musical interaction. These might include:

  • playing in time with others, focussing mainly on synchrony and tight coordination,
  • holding a completely different line and harmonising, with additional demands on cognitive control, or,
  • alternating with each other, with room for greater individual expression, improvisation and flexibility.

Each of these examples emphasises what could be loosely described as a different musical skillset, but at the heart of all of these examples is the need for: empathy and ‘theory of mind’ - being able to read the intentions of others and respond accordingly,

Musical notation, teamwork and empathy

  • If we feed a child nourishing food, we can say this has enhanced their health.
  • If we place a child into stimulating musical training, we can say this has enhanced their empathy.
  • If we place a child into an intervention which teaches them to read musical notation, we can say this has improved their reading skills.

There is a clear pattern of cause and effect, but millions of years of evolution have primed us to respond to optimal experiences that promote health, empathy and communication. This is why children are known to respond positively to an enriched environment (and why an enriched environment is also known to accelerate learning in animals, such as mice and rats).

A more worrisome situation arises when children from disadvantaged social backgrounds, whose fundamental needs of adequate nutrition, shelter and safety (physical, social and psychological), may not have been addressed, are placed into underspecified musical interventions where they are expected to thrive. This may be why many music education research studies have achieved such mixed results (see Hallam and Himonides, 2022 for a comprehensive review).

Closing thoughts

In the Rhythm for Reading Programme, the safety of the children is always the top priority, and this includes ensuring that on a weekly basis they experience a strong sense of:

  • belonging - through working as a team, and coordinating with the specially composed music in a consistent way,
  • fluency and ease - through reading simple notation enriched by patterns, repetition and novelty,
  • happiness and enthusiasm - through participating in shared moments of collective joy.

To read about the extraordinary impact of the Rhythm for Reading programme on children’s reading comprehension click here.

To book a call and discuss group teaching and the needs of children in your school, click here.

If you enjoyed this post, keep reading!

Rhythm, breath and well-being

Breath is an important part of the Rhythm for Reading programme. We use our voices as a team in different ways and this engages our breath. In the early stages of the programme we use rapid fire responses to learn the names of musical notes and our breath is short, sharp and strong - just like the sounds of our voices.

Confidence and happiness in the Rhythm for Reading programme

This post describes the tenth of ten Rhythm for Reading programme sessions. By this stage in the reading intervention, everyone in the group can sight-read both simple and comparatively complex music notation with ease and confidence. To do this, our eyes are glued onto the board, our voices are synchronised and we’ve gelled through teamwork.

The Joy of Teamwork

By nine years of age, children have assimilated a vast amount of information about their culture simply by learning through experience. Enculturation is a particularly powerful form of deep learning that shapes children’s attitudes and perceptions of the world in which they are growing up. Through working in many schools, I’ve observed that by the age of nine years, children have, through this process of enculturation developed a strong emotive response to the concept of ‘teamwork’.

Learn to read music and develop executive functions: The exception rather than the rule

The Rhythm for Reading Programme creates an environment that allows pupils to focus their attention right from the start. They learn to read music by repeating, reviewing and practising key concepts each week, consistent with the principle of ‘spaced practice’. Consistent rehearsal of musical notes using visual images, as well as hearing and saying the note names, illustrates the principle of ‘dual coding’. The programme is built on a cumulative structure that prioritises fluency, as well as a light ‘cognitive load’ and there is a gradual increase in the complexity of tasks within the context of working together as a strong and enthusiastic team.

References

Hallam, S. and Himonides, E (2022) The Power of Music: An exploration of the evidence, Cambridge: Open Book Publishers

NB References to Jerome Lewis are from personal notes taken during public lectures given by Radical Anthropology Group, Department of Anthropology, University College London.

Why empathy boosts reading comprehension in primary schools

23 February 2024

Credit image: Andrew Ebrahim via Unsplash
Credit image: Andrew Ebrahim via Unsplash

The importance of respect lies at the heart of school ethos and is the foundation for cooperative behaviour and positive attitudes towards learning. In practice, it is possible to cultivate these positive attitudes deliberately, particularly in early reading development if sufficient empathy and sensitivity exists. This means acknowledging cultural diversity - both in depth and breadth, and recognising the linguistic richness of the school community.

Confidence in learning is one of the greatest gifts that education can offer children, but this too requires empathy. Advantaged children start school socially well-adjusted and ready to learn, whereas disadvantaged children lag behind their classmates in this respect. For example, effective teaching that models thinking and reasoning is essential for disadvantaged children, when their attainment is behind age expectation in early reading development. In this post I look at ways in which a focus on empathy breaches social disadvantage and boosts reading comprehension.

Empathy

Let us remind ourselves that the first relationship that infants have is critical to development, because it precedes their own character formation and the sense of self. The primary caregiver is usually the mother in the first weeks of life, but not always. These early weeks of engagement with the infant are thought to influence the child’s development based on two types of maternal caregiving: sensitivity and intrusiveness.These qualities exist at opposite ends of a continuum and there is a general consensus that if the primary caregiver is sensitive about one third of the time, then the child will be socially well-adjusted and attach securely to the mother-figure. Sensitivity refers to the mother’s ability to empathise with her child, to infer her child’s basic requirements, as well as to respond to the child’s need to be soothed or to engage playfully. Traditionally, mothers have responded to their infants’ needs and desires by singing to them, playing peek-a boo style games and reciting stories. The effects of these activities on the developing brain of the infant have been researched and may help us to understand how to support the young children who struggle with early reading when they start school.

Reading Comprehension

The effect of storytelling on the human brain was first reported in 2010 by Silbert and Hasson. The research used a brain scanner to record brain activity as each participant listened to a story. The findings showed, perhaps unsurprisingly that in the auditory areas responsible for processing sound, the brain waves tracked the voice of the person reading the story. However, language areas of the brain and the areas responsible for the sense of self and others, lagged behind the auditory areas. The authors thought that the meaning of the story was being shaped by these slower processes. Further research showed that inserting nonsense words into the story scrambled the areas of the brain, assumed to be involved in processing context and comprehension (Silbert and Hasson, 2010).

According to the well known Simple View of Reading Model (Gough and Tumner, 1986), two foundational skills: linguistic comprehension and decoding are essential for the development of reading comprehension. Decoding is complex: it involves sounding our letters (transforming graphemes into phonemes and syllables) and then blending these into words (Ehri 1995; 1998). Even though individual differences affect the development of decoding, researchers assert that ability in decoding is closely aligned with reading comprehension skill (Garcia and Cain, 2014).

However, individual differences in terms of control of working memory, control of inhibition and the ability to update and adapt with flexibility to the development of the text affect children’s reading comprehension and researchers now think that these abilities also account for the difficulties with decoding as well (Ober et al., 2019). How might teachers make use of this information in a classroom scenario?

Empathy and comprehension in child development

Imagine for a moment that two children have been playing together with a spaceship. The adult supervising them hears that one child has monopolised the toy and the other child is crying in protest. To contain the situation the adult acknowledges and describes the feelings of each child and invites the two children to:

  • read one another’s feelings by looking at their facial expressions,
  • ask why their friend is feeling this way,
  • imagine how they could make this situation better, and
  • figure out a way to share the spaceship.

These are important steps because the children then take on a deeper sense of responsibility for:

  • self-regulating their own behaviour,
  • monitoring their friend’s feelings as well as their own, and
  • planning how they might play together to avoid this happening again.

Through playing together, under sensitive professional guidance, these children are able to develop important life skills such as cooperation, learning to adapt to each other’s feelings, as well as planning and executing joint actions in the moment.

It’s also important to recognise that many children do not receive nuanced guidance from adults. Investment in early years provision and training is vital to address the effects of an exponential rise in social and economic disadvantage, but also, sensitivity to culturally and linguistically diverse children for example of asylum seekers and refugees is just as important. Children and adolescents who receive empathic guidance from adults, would for example need to be trusted by the parents of those children, and need to be appropriately culturally and linguistically informed (Cain et al., 2020).

The most important attribute of empathy is that it involves one person being able to connect their personal experiences with those of another individual. Learning about empathy under sensitive adult guidance promotes the development of inhibitive control. Control of inhibition strengthens working memory. Stability and strength in working memory fosters flexibility in thinking. Each of these executive functions lays strong foundations for the development of inference, fluency, and comprehension in reading behaviour, as Maryanne Wolf says,

An enormously important influence on the development of reading comprehension in childhood is what happens after we remember, predict and infer: we feel, we identify, and in the process we understand more fully and can’t wait to turn the page. (Wolf, 2008, p.132)

The adaptive benefit of empathy

The social benefits of empathy are wide-ranging and in terms of human evolution, the ability to act collectively, maintain social bonds and close ties with others has most likely helped our forebears to envision and execute large scale plans for the benefit of a whole community. For example, collections of animal skeletons have led researchers to conclude that more than 20,000 years ago, parties of hunter gatherers had developed killing techniques, honed over generations to take advantage of the seasonal movement of horses. In one site in France, more than 30,000 wild horses were slaughtered, some were butchered, but many were killed unnecessarily and were left to rot (Fagan, 2010).

Humans are like other mammals in the way that we are able to synchronise and move together. When humans gather socially and dance together this behaviour fosters empathy and social cooperation (Huron, 2001;2003).

Indeed, these types of activities have been shown to enhance the development of empathy and school readiness in young children (Ritblatt et al., 2013; Kirschner and Tomasello, 2009;2010), children in primary school (Rabinowitch et al., 2013), and after only six weekly sessions of ten minutes of synchronised movement, entrained to background music, research findings showed significant improvements in reading comprehension and fluency (Long, 2014).

Bringing this back to empathy again, a large scale study involving 2914 children showed that the benefits of shared musical activity were associated with the development of inhibitory control and a reduction of behaviour issues, particularly among socially disadvantaged children (Alemán et al., 2017).

Summary

Our human brains are wired to be social. Our ancestors worked cooperatively and were able to read their environment and infer the seasonal movements of animals. They planned, coordinated and executed hunting plans with devastating precision. Our ability as modern humans to read printed language with fluency, ease and comprehension is perhaps the most advanced act of human social collaboration of all, as it allows us to receive an enormous volume of information from each other about challenges that face us as a global collective. To what extent are we willing to empathise, to infer, to plan and to work together for our common good in an era that demands we now find our common purpose and act upon it?

Why not read about case studies of the rhythm-based approach in schools? Then click here to find out more about the Rhythm for Reading Programme and discuss it with me in person.

If you have enjoyed the themes in this post keep reading.

Conversations and language development in early childhood

Spoken language plays a central role in learning. Parents, in talking to their children help them to find words to express, as much to themselves as to others, their needs, feelings and experiences.

‘As well as being a cognitive process, the learning of their mother tongue is also an interactive process. It takes the form of continued exchange of meanings between self and others. The act of meaning is a social act.’ (Halliday, 1975: 139-140)

Conversations, rhythmic awareness and the attainment gap

In their highly influential study of vocabulary development in the early years, Hart and Risley (1995) showed that parents in professional careers spoke 32 million more words to their children than did parents on welfare, accounting for the vocabulary and language gap at age 3 and the maths gap at age 10 between the children from different home backgrounds.

Rhythm and connection 3/5

Mythical tales of abandonment, involving fear of the jaws of death followed by the joy of reunion are familiar themes in stories from all around the world. Sound is a primal medium of connection and communication via mid brain processes that are rapid, subjective, subtle and subconscious. Similarly, the telling of stories, the recitation of poems and songs are also examples of how auditory signals are woven together to communicate for example fear, distress and joyful reunion, or other emotions.

References

Alemán et al (2016) The effects of musical training on child development: A randomised trial of El System in Venezuela, Prevention Science, 18 (7), 865-878

Cain, M. et al (2019) Participatory music-making and well-being within immigrant cultural practice: Exploratory case studies in South East Queensland, Australia, Leisure Studies, 39 (1), 68-82

Ehri , L.C. (1995) Phases of development in learning to read words by sight. Journal of Research in Reading, 18 (2) 116-125

Ehri, L. C.(1998) Grapheme-phoneme knowledge is essential for learning to read words in English. In J.L. Metal & L.C. Ehri (Eds.), Word recognition in beginning literacy (pp.3-40). Mahwah: Lawrence Erlbaum Associates Publishers.

Fagan, B. (2010) Cro-Magnon: How the ice age gave birth to the first modern humans, New York, Bloomsbury Press.

Frith, U. And Frith, I (2001) The biological basis of social interaction. Curr. Dir. Psychol. Sci. 2001, 10, 151-155.

Gough, P.B. and Tumner, W.E. (1986) Decoding, Reading and Reading disability. Remedial and Special Education, 7 (1), 6-10

Huron, D. (2001) Is music and evolutionary adaptation? ANYAS, 930 (1), 43-61

Huron, D. (2006) Sweet anticipation. The MIT Press

Kirschner, S. & Tomasello, M. (2009) Joint drumming: Social context facilitates synchronisation in preschool children. Journal of Experimental Child Psychology, 102 (3), 299-314

Kirschner, S. & Tomasello, M. (2010) Joint music-making promoted prosocial behaviour in 4-year old children. Evolution and Human Behaviour, 31 (5) 354-364

Long, M. (2014) ‘I can read further and there’s more meaning while I read.’: An exploratory stud investigating the impact of a rhythm-based music intervention on children’s reading. RSME, 36 (1) 107-124

Ober et al (2019) Distinguishing direct and indirect influences of executive functions on reading comprehension in adolescents. Reading psychology, 40 (6), 551-581.

Rabinovitch, T., Cross, I. and Bernard, P. (2013) Longterm musical group interaction has a positive effect on empathy in children. Psychology of Music, 41 (4) 484-498.

Ritblatt, S. et al (2013) Can music enhance school readiness socioemotional skills? Journal of Research in Childhood Education, 27 (3), 257-266.

Silbert, G.J. and Hasson, U. (2010) Speaker-listener neural coupling underlies successful communication. Proc. Nate Acad. Sci. USA 107, 14425-14430

Wolf, M, (2008) Proust and the Squid: The story and science of the reading brain, London, UK, Icon Books

Clowns and Chameleons on World Read Aloud Day

7 February 2024

Image Credit: Eder Pozo Perez via Unsplash
Image Credit: Eder Pozo Perez via Unsplash

World Read Aloud Day sounds like a lot of fun! Reading aloud in pairs for example, can really encourage expression and fluency, as well as enhance the joy of reading. When children share book together they are more likely to connect more deeply with the ‘voice’ of the author. This is amazing! Pairing up with a book creates the opportunity to open up to the narrative in a completely new way.

There is however, another side to World Read Aloud Day that is more complex. Some children are not able to ‘open up’ to sharing a book or to being part of a group. They are dealing with challenges of various kinds and the social expectation to ‘enjoy’ reading aloud might be too much for them. As educators, we can help these children to feel more ‘centred’ by letting them know that they are safe - for example by choosing to look at a picture book in a quiet space. Read on to find out why this is so important.

Making allowances for emotional, mental and physical health when teaching reading

Symptoms of anxiety and depression correlate with difficulties with reading, including processing speed, focus and concentration among children aged nine and eleven. To make matters worse, researchers have found that not only do these symptoms make reading difficult, but that experiencing trouble with reading and other academic skills affects children’s sense of self-worth and drives anxiety levels up (Lundy et al., 2010).

The stress associated with early childhood adversity can have a profound and substantial effect on the development of adequate reading skills as well as functions such as memory and verbal ability. Associated factors such as changing schools frequently, can exacerbate these learning differences. Taken together, the lack of structure in the child’s life can affect their ability to comprehend on-going themes while reading, and also their motivation to read (Yasik et al., 2007).

Physical challenges are no less valid. Children with glucose dysregulation, perhaps due to diabetes or hyperglycaemia are more likely to have an increased risk for difficulties with cognitive skills such as reading (Naguib et al., 2009). Physical health issues can disrupt learning through fatigue, and there may be multiple appointments and low school attendance.

All of these factors can build up to generate anxiety about falling behind, and it is this anxiety that is most likely to interfere with reading. Many studies have produced mixed results, so it’s not possible at present to generalise widely about the relationship between child health and reading development. However, it is good practice to assess physical and emotional health when identifying children with fragile reading, so that any underlying issues are not overlooked.

When children buck the trend

There are many wonderful teachers who are keen to protect children from stress. Child-led activities such as reading aloud, in which everyone muddles through are not always the answer, however. A more structured approach can be more helpful for disadvantaged children as it allows them to find an obvious path on which they can make clear progress. And yet progress, in the face of challenges requires grit!

There are children who exude grit - and grit is the strongest predictor of educational outcomes. Grit outperforms other factors - even the child’s age and IQ, which is amazing. Grit has been defined by Duckworth and colleagues (2007; p. 1087). as:

Perseverance and passion for long-term goals…[grit] entails working strenuously toward challenges, maintaining effort and interest over the years, despite failure, adversity and plateaus in progress

The paradox of bilingualism

Of course, language skills are also among the strongest predictors of children’s reading development (Dickenson et al., 2010).

Interestingly, according to Siegal and coworkers (2011) when compared with monolingual children, bilingual children display:

  • better control of attention,
  • greater maturity and insight when understanding the meaning of spoken language, and
  • a more adult-like moral reasoning.

In my own experience of interviewing parents, who did not speak English, their bilingual children were able translate for them. I learned that these children helped their parents with ‘life-admin’ such as completing official documents and forms. Despite these responsibilities, or perhaps because of the stress of these experiences, these bilingual children struggled to achieve age appropriate levels of reading comprehension and academic attainment. Factors such as poverty and family mobility are thought to explain this paradox (Melby et al, 2014).

The challenges that children with ‘dyslexia’ face when reading aloud

Although I love the idea that reading aloud is fun, for some children reading aloud puts them at risk of ridicule. An unstructured activity may lead to them feeling anxious and unsafe. When children with specific learning difficulties are asked to read aloud in class, potential exists for a downward spiral to begin. Shameful feelings that begin in this way have the potential to shape a child’s future.

  • Teasing by classmates leads to social isolation
  • Inappropriate teaching such as memorising lists of words gives way to to frustration
  • Substandard work in class generates a label of laziness, followed by truancy and disaffection
  • Risk-taking behaviour develops into petty crime and
  • Poor choices over time lead to juvenile court and a possible conviction.

Dyslexia is an umbrella term for a wide range of specific learning perceptual difficulties with words, which might affect reading, writing or spelling. Some children manage to compensate for their dyslexia by developing coping strategies, whereas others do not achieve this. Stress affects the symptoms associated with dyslexia such as the visual illusion of the print wobbling or fading in and out. This instability also plays out in the child’s working memory.

Michael Thompson (1982d; cf 1990) compared a group of children identified with dyslexia with two control groups:

  • reading age controls, and
  • chronological age controls.

Both control groups outperformed the group with a diagnosis of dyslexia.

Reading age controls were four years younger than the ‘dyslexic’ group, but scored higher on reading rate. Chronological age controls matched the ‘dyslexic’ group on age, but they were more than four years ahead of the dyslexic group in reading.

The scores for the dyslexic group were approximately five years behind those of their classmates on reading rate and accuracy. Imagine for a moment how these children would have feltl when reading aloud in class, knowing that their peer group who were able to read with far more fluency and ease, were listening.

As is often the case, the dyslexic group had a very uneven performance on reading. Their understanding of the text was two years behind their actual age, and thirty months more advanced than their reading rate score. Being able to understand the text in this sketchy way would have felt limiting and frustrating, and at the same time they would have known that ‘reading’ as a developmental ‘milestone’ had not been met.

In the classroom setting, stress, shame and anxiety can send the struggling child into a downward spiral of low-self-esteem. Some children manage these heavy feelings by ‘performing’ for their classmates. They want to reclaim their identity and to normalise their reading situation as ‘a bit of a joke’. Playing the ‘fool’ or ‘clown’ to distract everyone enables them to find their place among their peers once again. This is amusing for classmates and dissipates any temporary feelings of humiliation or ‘loss of face’. And yet, deeper down, the unprocessed shame is stored and slowly builds up day by day. The teacher might go along with the humour, perhaps not quite aware of the pain it attempts to conceal, before settling the class into a new task.

An alternative strategy adopted by other struggling children is to become ‘invisible’ all of the time. Their goal is to become so quiet that they are overlooked. They hide behind a mask of silence, stillness and impeccable behaviour. They are so successful that no one really notices that they are left behind. In fact, the more conspicuous ‘clown’ posturing of the extrovert members of the class helps these quiet chameleons to blend into the background with even more ease.

As increasing numbers of children become vulnerable to poverty, as well as emotional and mental health challenges, it is even more important for schools to consider the emotional well-being and safety of children who struggle with reading aloud. Sadly, a child’s trajectory of self-worth and emotional balance can be changed permanently through reading aloud, with devastating effects going forwards into adolescence and adult life. Dyslexic children do learn to read, but it takes them significantly longer than other children. Supportive strategies can definitely help them to accelerate along their reading journey.

Read our case studies - we’ve helped so many children who struggled to learn to read. Book a discovery call to discuss you school’s needs.


If you enjoyed this post, keep reading!

Supporting children with a ‘fuzzy’ awareness of phonemes and other symptoms consistent with dyslexia

Children with a specific learning difficulty often find that as they start to make marks on the page, the words in their mind fade or fragment. For these children, every hour of every day spent in the classroom, presents a new mountain to climb. Their working memory capacity always lets them down, no matter how hard they try to focus their attention.

Fluency! Finding Flow in Early Reading

From a rhythm-based perspective, the key words in this quotation are ‘attends’ and ‘attention’. The child’s capacity to sustain their attention determines the fluency of their reading. Attention is the cognitive ‘fuel’ necessary to ‘drive’ this fluency and to extract the author’s ‘message’ from the alignment of the letters, words and phrases as units of meaning.

‘Temenos’ and safety in school

We often hear about the dangers of cyberspace, where cyber-bullying is rife and children are vulnerable. Now imagine for a moment the relief of reaching the ultimate refuge. Temenos is a Greek concept that describes a sanctuary, a space of absolute safety and harmonious balance, where individuals uphold an immutable self-respect and where criticism and judgment are suspended.

Ears, Eyes, Voices and Early Reading

The development of early reading depends on the efficient coordination between the ear and the eye. Strong associations between letters and their sounds help children to learn to recognise words on the page. Voices matter too. Educators have realised that poor oral language skills are a strong predictor of poor literacy (Stackhouse & Well, 1997) and that socially disadvantaged children are more likely to lag behind in their vocabulary development when compared with more affluent peers (Fernauld et al, 2013) and require a reading intervention. Indeed, research indicates that sharpening rhythmic awareness supports children’s ability to process information (Long, 2016), better perceive the sounds of language, to read more fluently and with more understanding (Long, 2014).

References

Dickenson et al., (2010) Speaking out for language: why language is central to reading development.Educational Researcher, 39, 305-310

Duckworth et al., (2007) Grit, perseverance and passion for long-term goals, Journal of Personality and Social Psychology 92 (6), 1087-1101

Lundy et al., (2010) Cognitive functioning and academic performance in elementary school children with anxious / depressed and withdrawn symptoms, open Paediatric Medicine Journal, 14, 1-9

Melby-Lervåg, M. and Lervåg, A. (2014) Reading comprehension and its underlying components in second-language learners: A meta-analysis of studies comparing first and second-language learners, psychological Bulletin, 140 (2), 409-433

Naguib et al., (2009) Neuro-cognitive performance in children with type-I diabetes: A meta analysis, Journal of Pediatric Psychology, 34, 271-282.

Siegel et al., (2011) exploring the effects of bilingualism on children’s conversational understanding and moral sense. In M. Siegal and L. Syrian (Eds) Access to language and cognitive development. New York: Oxford University Press.

Thompson, M. (1982) Reading and spelling errors in dyslexic children: delayed or deviant?

Thompson, M. (1990) Developmental Dyslexia, third edition, Cole & Whurr Ltd: London

Yasik et al., (2007) Posttraumatix stress disorder: Memory and learning performance in children and adolescents, Biological Psychiatry, 61, 382-388

Learn to read music and develop executive functions: The exception rather than the rule

17 January 2024

Image credit: Jessica Hearn via Unsplash
Image credit: Jessica Hearn via Unsplash

The narrowing of the curriculum has squeezed the arts and humanities and this is likely to affect pupils from a lower socio-economic status (SES) background more than relatively advantaged children, according to the Sutton Trust (Allen & Thompson, 2016). In England, headteachers are tasked with challenging the effects of economic disadvantage by ensuring children are able to access a broad and balanced curriculum, rather than an impoverished one. However, given that the allocation of teaching time is such a precious resource, how might primary schools devise a curriculum that includes musical notation? Traditional approaches are time-consuming and use complex mind-boggling mnemonics that are not sufficiently inclusive. However, a rhythm-based approach avoids cognitive loading and requires short weekly sessions of about ten minutes. This uses short, sharp quick-fire responses that are fun and facilitate group learning.

Teaching musical notation with a sense of mastery

The Rhythm for Reading Programme creates an environment that allows pupils to focus their attention right from the start. They learn to read music by repeating, reviewing and practising key concepts each week, consistent with the principle of ‘spaced practice’. Consistent rehearsal of musical notes using visual images, as well as hearing and saying the note names, illustrates the principle of ‘dual coding’. The programme is built on a cumulative structure that prioritises fluency, as well as a light ‘cognitive load’ and there is a gradual increase in the complexity of tasks within the context of working together as a strong and enthusiastic team.

There is minimal input in terms of ‘teacher talk’. Instead, explicit instructions from the teacher, based on the rubrics of the programme outline the specific details of each task. This approach is known to support novice learners and a clear expectation on the part of the teacher is that every child contributes to the team effort and is key to the programme’s impact.

Teaching musical notation and cultivating executive functions

The Rhythm for Reading Online Training Programme offers individually tailored CPD.

Teachers are immersed in a completely new knowledge base and a comprehensive body of work, including theory, research and practice, that has successfully evolved over a period of three decades.

The Rhythm for Reading approach stimulates children’s executive functions using simple repetitive techniques that feel like a fun group activity and are easy for all children to master.

The programme has been shown to transform reading development in:

  • young people with severe learning needs in a special education setting
  • Pupil Premium children in mainstream schools
  • children with specific learning difficulties
  • children who simply need a ‘boost’ in their reading

By following the simple rubrics and rhythm-based exercises of the online programme, teachers are able to accelerate children’s reading development and cultivate their executive functions during ten weekly sessions of about ten minutes.

Teachers need to practise using these fresh and exciting new teaching methods for at least a couple of terms. Ongoing mentoring support is available throughout the programme, as is follow-up support. For further details click here.

As teachers develop a practical understanding of how to nurture children’s executive functions through rhythm-based exercises, they feel empowered by changes in the children’s progress.

Reading fluency is monitored by teachers throughout the programme using a dedicated ‘Reading Fluency Tracker’ which takes two minutes to complete each week. There is also, if needed, an option to focus on deeper levels of assessment of learning behaviour.

Teacher enrichment and reflexive practices are keystones in the CPD of the Rhythm for Reading programme and there is a strong emphasis on supporting teachers’ well-being. A workbook is available for teachers to record their personal experiences of the programme and these can be referenced in weekly one-on-one mentoring calls.

Research Studies in Music Education

Research on the benefits of music training to executive function is inconclusive. According to academics, the mixed bag of findings reflects differences in the types of musical activities. At present, the relationship between musical training and any effect on executive functions is unclear to the music education research community. However, based on a review of the latest research, academics offered this recommendation:

Ideally music lessons should incorporate skills that build on one another with gradual increases in complexity. (Hallam and Himonides, 2022; p.197).

Potential exists for each executive function to play an important role in music making as follows:

  • Inhibitory control is essential to the element of teamwork in music-making, such as community singing, where people are encouraged to participate with others in a balanced and proportionate way.
  • Cognitive shifting, also known as cognitive flexibility, is activated every time a change occurs in a melodic or rhythmic pattern, and also when the relationships between the musical lines or voices, also known as the texture, changes.
  • Working memory is constantly activated in the same way that it would be in a conversation, with updating, assimilating and monitoring, as a person participates in the music.
  • Sustained attention is necessary for the coordination of cognitive shifting and working memory. Just as interaction in a conversation is predictable at the beginning and the end, but may have a ‘messy middle’ (a loss of predictability), the same can be said to exist in music.
  • To maintain the necessary level of sustained attention in the dynamic activity of music making, each performer engages inhibitory control of internal and external distractions.

In a particularly well-controlled, and therefore robust study, there were strong positive effects of musical training on executive functions, particularly inhibitory control among children (Moreno et al., 2011, cf. Hallam and Himonides, 2022).

Although the expressions, ‘getting lost in the music’ and ‘getting lost in a book’ are figurative and imply a perception that the external world has temporarily ‘ceased to exist’, there is also an implication that the individual has entered into a meditative ‘flow state’, suggesting that the executive functions are working together in a coherent and self-sustaining way.

Reading musical notation, reading a text and executive function

Given that musical notation as a symbol system that describes what should happen during music making, there is a strong logical argument for musical notation to act as a stimulus for activating executive functions.

A ‘Yes-But’ response resounds at once because the research literature is ‘mixed’ in terms of findings. Bear with me as I offer a few thoughts…

When researchers used a brain scanner to study the parts of the brain involved in reading musical notation, they asked professional musicians to read musical notes, a passage of printed text and a series of numbers on a five-key keypad (Schön et al., 2002, cf. Hallam and Himonides, 2022). Unsurprisingly, similar areas of the brain were activated during each type of reading activity. Over millennia humans have developed many symbol systems, including leaf symbols, hieroglyphs, cuniform, alphabets and emojis. This research is very reassuring as it suggests that the brain adopts a standard approach for reading different symbol systems. As there was no evidence that reading musical notation was any different to reading text or numbers, then presumably musical notation and other types of reading share the same neural structures. If this is the case, then this might explain an acceleration of reading skills in struggling readers after a six-week intervention in which children learned to read musical notation fluently (Long, 2014).

Reading musical notation differs from reading text or numbers in one important way: each symbol has a precise time value, which is not the case when we read words or numbers. However, when reading connected text or musical notation, there is an important element that is relates directly to rhythm, which is that musical phrases and sentences tend to be read within similar units of time. By coincidence (or by way of an explanation), this time window happens to fit with our human perception of the duration of each present moment.

So, given that working memory fades after about five to seven seconds of time have elapsed, we can understand that musical phrases and utterances in spoken language are closely tied to executive functions of working memory and sustained attention.

Reading musical notation and executive function

Many people’s experience of reading musical notation begins at the moment when they are learning to play a musical instrument. The physical coordination required to produce a well-controlled sound on any musical instrument draws upon sustained attention, working memory, and cognitive flexibility (adapting to the challenges of the instrument). The engagement of these executive functions in managing the instrument may leave very few cognitive resources available for reading notation, leading to frustration and a sense of cognitive overload.

Using the voice rather than an instrument offers a possible solution, as singing is arguably the most ‘natural’ way to make music. Learning a new song however, involves assimilating and anticipating both the pitch outline and the words before they are sung. As these tasks occupy working memory, it is possible that cognitive overload could arise if reading notation while learning a new song.

Chanting in a school context - a rhythm-based form of music-making that humans have practised for thousands of years, whether in protest or in prayer is relatively ‘light’ in terms of its cognitive load on working memory. All that is required is a short pattern of syllables or words. Repetition of the pattern allows the chant to achieve a mesmeric effect. This can be socially bonding, hence the popularity of chanting in collective worship around the world.

Although researchers have demonstrated that musically trained children have higher blood flow in areas of the brain associated with executive function (Hallam and Himonides, 2022 ), it is important that researchers specify the musical activities that activate executive functions.

Comparing the three options: learning an instrument, a song or a chant - it is clear that they could develop executive function in different ways.

Learning to play a musical instrument demands new levels of physical coordination, involves deliberate effort and activates all of the executive functions for this reason.

Learning a new song places a high demand on verbal and spatial memory (working memory) as the pitch outline and the words of a song must be internalised and anticipated during singing.

Learning a simple chant places minimal demand on cognitive load. This makes it is easy for individuals drop into a state of ‘autopilot’, allowing the rhythmic element of the chant to keep their focus and attention ‘ticking over’ without deploying executive function.

So, chanting, with its lighter cognitive load offers the most inclusive option for teaching musical notation in these settings:

  • in mixed ability groups in mainstream schools
  • among children with learning differences in mainstream or special educational schools

You might be thinking surely, ‘mindless’ chanting has no place in 21st century education? Yes, I would agree - but the exception to this notional rule would be this: chanting is appropriate for children with fragile learning and reading if they also display hypo-activation of executive function:

  • weak attention,
  • limited working memory
  • poor impulse control
  • slow cognitive switching

Children with weak executive functions are better able to learn to read musical notation using chanting (rather than playing an instrument or singing) for the reasons outlined above. A rhythm-based approach (using a structured and cumulative method) restores executive function and reading development among these children in a very short period of time.

According to Miendlarenewska and Trost (2014) enhancing executive functions through rhythmic entrainment in particular would drive improved reading skills and verbal memory: the impact of the Rhythm for Reading programme bears this out (Long, 2014; Long and Hallam, 2012).

If you enjoyed reading this post, keep reading:

A simple view of reading musical notation

Many people think that reading musical notation is difficult. To be fair, many methods of teaching musical notation over-complicate an incredibly simple system. It’s not surprising that so many people believe musical notes are relics of the past and are happy to let them go - but isn’t this like saying books are out of date and that reading literature is antiquated?

Musical notation, a full school assembly and an Ofsted inspection

Many years ago, I was asked to teach a group of children, nine and ten years of age to play the cello. To begin with, I taught them to play well known songs by ear until they had developed a solid technique. They had free school meals, which in those days entitled them access to free group music lessons and musical instruments. One day, I announced that we were going to learn to read musical notation. The colour drained from their faces. They were agitated, anxious and horrified by this idea.

Empowering children to read musical notation fluently

Schools face significant challenges in deciding how best to introduce musical notation into their curriculum. Resources are already stretched. Some pupils are already under strain because they struggle with reading in the core curriculum. The big question is how to integrate musical notation into curriculum planning in a way that empowers not only the children, but also the teachers.

Teaching musical notation, and inclusivity

For too long, musical notation has been associated with middle class privilege, and yet, if we look at historical photographs of colliery bands, miners would read music every week at their brass band rehearsals. Reading musical notation is deeply embedded in the industrial cultural roots. As a researcher I’ve met many primary school children from all backgrounds who wanted to learn to read music and I’ve also met many teachers who thought that reading music was too complicated to be taught in the classroom.This is not true at all! As teachers already know the children in their class and how to meet their learning needs, I believe that they are best placed to teach musical notation.

References

Allen & Thompson (2016) “Changing the subject: how are the EBacc and Attainment 8 reforms changing results? The Sutton Trust,

Hallam, S. and Himonides, E. (2022) The Power of Music: An exploration of the evidence, Cambridge, UK, Open Book Publishers

Long, M. (2014). ‘I can read further and there’s more meaning while I read’: An exploratory study investigating the impact of a rhythm-based music intervention on children’s reading. Research Studies in Music Education, 36 (1) 107-124

Long, M. and Hallam, S. (2012) Rhythm for reading: A rhythm-based approach to reading intervention. [MP282] Proceedings of Music Paedeia, 30th ISME World Conference on Music Education, pp. 221-232

Miendlarenewska, E. A. and Trost, W. J. (2014) How musical training affects cognitive development: rhythm, reward and other modulating variables. Frontiers in Neuroscience, 7.

Moreno, S., Bialystok, E., Barac, R., Schellenberg, E.G., Capeda, N. J. & Chau, T. (2011). Short-term music training enhances verbal intelligence and executive function, Psychological Science, 22 (11), 1425-1433

Child development in 2024: Learning versus hunger

3 January 2024

Credit image: Hollie Santos via Unsplash
Credit image: Hollie Santos via Unsplash

I had planned to find a light-hearted piece of new music education research for the first post of 2024 and maybe a few fun facts. I considered a study on the benefits of chanting, another on whether rats feel groovy (and yes, rats do feel the groove), but eventually I chose a new piece of research on the benefits of singing to infants because it drilled down into a possible relationship between rhythmic movement and expressive vocabulary development (Nguyen and colleagues, 2023).

At the same time, I considered recent topical pieces on child development and education in the mainstream media. Suddenly, this post became much heavier as it was destined to contrast the challenges of struggling families against the privileges of those who shape music education as research participants.

In recent weeks, there has been coverage on the rapid rise of ‘baby banks’ (Chloë Hamilton, The Guardian Newspaper). These are like food banks, but specialise in providing free nappies, baby formula, clothes and equipment. We have 200 branches in the UK and just as the Christmas holidays were about to start, there was also a piece about headteachers reporting malnourishment among their pupils (Jessica Murray, The Guardian Newspaper).

Having delivered the Rhythm for Reading programme in schools that also function as community food banks, and having seen children faint from hunger while at school, I am in no doubt that nothing can be more important to a civilised and caring society than children’s physical well-being - hungry children cannot learn anything at all.

In a balanced and caring society in which there is time to sing, to tell stories, and to enjoy family life without grinding hardship, music has its own role to play. People feel more inclined to engage socially and to look out for each other when they feel safe. From this perspective, is music important or not? When people need food to survive, food is more important than music. If people want to build a balanced and cohesive community, both music and food are fundamental for establishing trust and strong relationships whether in family life, business and trade, or diplomacy.

How do we know that music is important for child development?

According to decades of research, infants are exposed to music every day, particularly as their caregivers sing to them to entertain, to soothe and to share emotions with them. Even in utero, at 35 weeks gestational age, foetuses show more movement to musical sounds than to speech sounds, whereas at two months of age, an infant coordinates their gaze with the ‘beat’ of their caregiver’s singing. It is clear that music captures their attention and in this post I’ll point out how it seems to further their development.

What is infant-directed singing?

Infant-directed singing (compared with singing in general) is characterised by a slower tempo, more regularity in the pulse and a relatively wide range in terms of louder and quieter volume. The features of live infant-directed singing include positive emotional expression, accompanied by gestures and facial animation. In play songs there are also actions such as bouncing, jigging or sudden playful movements, whereas slower calming rocking movements characterise the soothing nature of lullabies.

How do infants respond to infant-directed singing?

As infants develop, they begin to adapt their rhythmic movements to coordinate with the rhythmic structure of music that they listen to, but the reasons for this are not well-understood. In terms of language development, years of research on infant listening has indicated that infants are sensitive to the rhythm, volume fluctuations and comprehensibility of speech, including sensitivity to these in nursery rhymes. Recent findings showed that newborn infants’ ability to track fluctuations in singing predicted their expressive language at 18 months.

What is the mechanism?

Researchers have found that these early life experiences of infant-directed singing endow children with sensitivity to the tempo (pace), changes in melodic patterns, harmony and rhythmic patterns of musical extracts. There’s been a recent focus on whether fluctuations in volume map directly onto the listening child’s brain activity, and most recently the same approach has been investigated in listening infants. The researchers refer to the term ‘neural tracking’ and by this they mean the extent to which brain activity is synchronised (entrained) with the features of the singing.

Who took part?

The research involved two different groups of mothers who had expressed an interest in taking part in this research. These mothers aged between 29-39 years, were highly educated: more than 86 per cent of them held university degrees and more than half of them (55 per cent) played a musical instrument, whereas one fifth (20 per cent) had time for themselves and sang in a choir. The authors did not explain the working status of these women, and the amount of time they each spent with their infant, whether some of the infants were enrolled in a crêche, or whether the mothers had chosen to return to work.

During the initial part of the research, all of the infants were seven months of age, lived in German speaking households and were without developmental delay. Across the two groups of participants, nine infants in total were excluded from taking part because of ‘infant fussiness’. This is a common practice in experiments of this kind; this means that the findings reflected the behaviour of infants who were well-adjusted enough to cope with the research protocols (such as wearing an EEG bonnet). The research involved testing the infants’ responses to play songs and lullabies at seven months of age. Then at twenty months, the researchers collected data detailing the children’s expressive language development.

In psychological research, it is important to justify the sample because the characteristics of these individuals are likely to shape the findings to a large extent. It is very difficult to draw broad conclusions about the relevance of infant-directed singing to vocabulary development from this particular group of people, when it is well known that parents’ educational level is a strong predictor of expressive language development in young children (Hart and Risley, 1995).

What is the vocabulary gap?

Expressive vocabulary development and the vocabulary gap became very topical almost thirty years ago when Hart and Risley (1995) conducted their work on vocabulary development in different social groups in America. This groundbreaking study involved analysing 1,300 hours of observations. An average child in a wealthier family heard 2,000 words during an hour, whereas a child from a family receiving welfare, heard 600 words in one hour. By the age of three, children from wealthier backgrounds had twice as many words in their productive vocabulary.

The wider impact of the Hart and Risley research

This finding had a powerful impact and the UK government launched the Sure Start initiative in 1998. Funding became available to enrich the lives of new parents through antenatal classes, postnatal support, parenting courses, nutritional advice, and provided supportive opportunities for very young children living in the poorest neighbourhoods in the UK up to the age of four. This scheme was successful in terms of physical health outcomes; it reduced harsh parenting practices and hospitalisations among children at age eleven. Sure Start Centres lost two thirds of their funding in 2010 and a relatively small number of these centres serve deprived communities.

Will we continue to see malnourished children in 2024?

Unlike Sure Start Centres, which were run in dedicated buildings, the baby banks are grassroots projects and some are set up as a series of tents in deprived rural areas. In the article by Chlöe Hamilton, mothers, who seek help from baby banks cannot afford to heat their homes and feed their children. Moreover, these mothers opt not to feed themselves, even though they are pregnant.

It is in these rural areas that head teachers are very concerned about rising levels of malnourishment. The are seeing children’s teeth falling out, their pupils have bowed legs and stunted physical growth. In some schools, as many as half of the pupils receive free school meals and a free breakfast, which is supplied by the charity ‘Magic Breakfast’. School leaders are also very concerned about children who do not qualify for free school meals, as the lunch they bring to school contains nothing more than cheap sugary snacks.

It is poignant that the first baby bank was started shortly after the banking crisis in 2008. Now there are 200 banks in the UK and over fifty branches are run by one charity, ‘Baby Basics’. According to a London-based charity, ‘Little Village’ twelve per cent of parents needed to visit the baby banks for children’s clothes and toys in the run up to Christmas, 2023.

It is not possible for children to learn when they are hungry and stressed. The lessons of Sure Start apply here. Jessica Murray’s article highlighted how hunger leads to dysfunction in the family relationships and the consequences of this are far reaching according to Dr Sarah Hanson, Associate Professor in Community Health at University of East Anglia:

“There’s evidence that not getting enough to eat causes low mood and anxiety, and often leads to stricter discipline in households. For children, their behaviour worsens and it has been linked to increased asthma diagnoses, as well as significantly higher use of emergency care.”

How is the study on infant-directed singing relevant to this situation?

Although the findings of the infant-directed singing study are more relevant to families of similar social characteristics to the participants: German speaking and highly educated, the most important finding is that infants are listening to their caregivers.

Most interesting perhaps, was that when the researchers manipulated the acoustic features of the singing - the pitch, the tempo, the beat - there was no significant effect on the infants’ neural tracking and this finding is a very inclusive one - infants listen, no matter how strange the singing may sound.

In both lullabies and playsongs, researchers found that infants’ rhythmic movement during the singing was strongly related to their neural tracking. This association between rhythmic movement and neural tracking was statistically significant. Lullabies were notable because they elicited stronger neural tracking - but that is not surprising, given that lullabies are hypnotic by their nature.

The researchers also found that infants’ neural tracking of play songs at seven months was significantly related to their expressive vocabulary at twenty months. This was not a product of chance, (95 percent confidence level). By seven months, these children had already developed playful interactions (involving infant-directed singing and rhythmic movement) in a way that was priming them for productive language. This chimes with the Hart and Risley research and really illustrates the importance of a supportive environment, particularly in the earliest months of an infant’s life.

If your enjoyed this post, keep reading!

Conversations, rhythmic awareness and the attainment gap

In their highly influential study of vocabulary development in the early years, Hart and Risley (1995) showed that parents in professional careers spoke 32 million more words to their children than did parents on welfare, accounting for the vocabulary and language gap at age 3 and the maths gap at age 10 between the children from different home backgrounds.

https://rhythmforreading.com/a/blog/entry/conversations-rhythmic-awareness-and-the-attainment-gap

Narrowing the attainment gap through early reading intervention

Wearing my SENCO hat, I strongly believe that the principle of early reading intervention (as opposed to waiting to see whether a learning difficulty will ‘resolve itself’ over time), and a proactive approach, can narrow the gaps that undeniably exist when children enter primary school.

In 2013, I adapted the Rhythm for Reading programme so that I could put in place urgently needed support for a group of Year 1 and Year 2 children, who struggled with their school’s phonics early reading programme. Their school had already seen impact of the programme on key stage two children, so the leadership team were keen to extend its reach.

The backdrop to reading is the space in the child’s mind.

In a recent post, I referred to Ratner and Bruner’s (1977) article on ‘disappearing’ games such as peekaboo. The article is clear that play of this type contributes to an infant’s ability to engage and interact not only with the game, but with the world around them as well. The playful and even joyful energy of peekaboo accompanies each of these four stages of learning

Gamification, Social Exchange and the Acquisition of Language

According to neuroscientists, repeated use of specific neural pathways catalyses the maturity of the neural structures through a process known as myelination. Referring back to Ratner and Bruner’s question about the ‘nature’ of early ‘disappearing’ games, it appears that language learning during infancy and early childhood coincides with spontaneous and joyful social interaction with an accompanying sense of intrinsic reward. This arguably contributes to successful social interaction throughout life.

References

Hamilton, C., ‘A day at the baby bank: ”I feel at ease here, because I’m not the only one struggling”, The Guardian Newspaper, published on 19.12.23 accessed 30.12.23

Hart, B. And Risley, T.R. (1995) Meaningful differences in the everyday experience of young American children, Paul H Brookes Publishing.

Murray, J, ’Children have bowed legs’: hunger worse than ever, says Norwich School, The Guardian Newspaper, published 21.12.23 accessed 30.12.23

Nguyen et al (2023) Sing to Me Baby: Infants show neural tracking and rhythmic movements to live and dynamic maternal singing, Developmental Cognitive Neuroscience, 64, 101313

Supporting children with a ‘fuzzy’ awareness of phonemes and other symptoms consistent with dyslexia

13 December 2023

Image credit: Saeed Karimi via Unsplash
Image credit: Saeed Karimi via Unsplash

I’m often asked whether the Rhythm for Reading Programme helps children ‘diagnosed’ with dyslexia. As I have not done a study - and by this I mean a randomised controlled trial - with children ‘labelled’ with this specific learning difficulty, I rely on anecdotal evidence to answer the question. Every time a child, identified with dyslexia asks me whether I can help them, I ask them to tell me if and when they notice a change in their reading. To date, the children diagnosed with dyslexia have told me that they have seen improvements in reading, writing and even spelling. Some have reported that they are better able to focus in class and some have also noticed an improvement in their ability to ‘understand the question’ in maths lessons. These anecdotal data are a positive indication that Rhythm for Reading does indeed help children with a diagnosis of dyslexia.

Working memory capacity

Dyslexia is a broad umbrella term that is often associated with other specific learning differences, such as (but not limited to) dyspraxia and ADHD and ADD. These so-called ‘co-morbidities’ make it difficult to study dyslexia at scale in a scientific way because there are so many differences among children labelled with this particular specific learning difficulty.

Having supported many children with specific learning difficulties in my role as special educational needs coordinator (SENCO) in two secondary schools and one junior school, it became obvious that every child I worked with had a specific learning difficulty that was unique to them. And yet, practitioners and teachers in these schools were able to support a wide range of learning differences, by using a particular set of ‘dyslexia friendly’ tools. This was made possible because all of these children had one issue in common - their limited working memory capacity.

Working memory capacity describes the extent to which a person can hold and manipulate information in mind. Saying the alphabet backwards is a simple example of a task involving working memory. Removing the ’t’ sound from the word ‘winter’ (to make the word ‘winner’) is another simple example of a task that involves maintaining and manipulating information in working memory. A person with dyslexia would find such a task tiring and also frustrating. Imagine how challenging it would be to hold only three words in working memory when faced with a task that involved ‘writing in sentences’. Children with a specific learning difficulty often find that as they start to make marks on the page, the words in their mind fade or fragment. For these children, every hour of every day spent in the classroom, presents a new mountain to climb. Their working memory capacity always lets them down, no matter how hard they try to focus their attention. As a child, I experienced this too, but all of these problems disappeared when I was about eleven years old and joined a children’s orchestra.

A diagnosis of ‘severe dyslexia’

The diagnosis of dyslexia came in my early forties when I faced a sharp increase in stress in my personal life. Many people with dyslexia describe having ‘good days’ and ‘bad days’ and the effect of stress on working memory in particular would account for this. One morning, at 7.45 am, as I was about to begin teaching, to my astonishment I discovered that I could not read. The middle three letters of every word were superimposed and all I could see were smudges of ink on the page. Unable to read a single word, I assumed that this was a visual convergence problem and managed to squint out of the corner of my right eye for a few days until I was seen by an ophthalmologist. One week later, I was able to read again with the help of a conspicuous pair of dark green lenses.

A well-qualified psychologist conducted my dyslexia assessment one month later and declared in her report that I would struggle to complete secondary level education. This was nonsensical as I had a PhD and soon after that point had papers published in academic journals. A good psychological assessment on the other hand, can be a helpful guide. It can identify areas for particular focus and can empower an individual as they learn to manage their specific learning difficulty - otherwise what is the point? After four months, my eyes had returned to normal and I was able to read without the special spectacles, but I still have them tucked away in a drawer.

‘Fuzzy’ phonemes

If we turn to auditory problems faced by people with dyslexia, there are two interesting things to consider. One is fuzzy phonemes. Phonemes are the smallest sounds of language. If we break the sound wave of a phoneme down into its beginning, middle and end, this can help us to think about the very first part of the sound. Among children with dyslexia, there is a lack of perceptual clarity at the front edge of a phoneme, which scientists refer to as the ‘rise-time’. This means that children with dyslexia are significantly slower to detect the differences between phonemes. This is why rhythm can provide what is needed. Improving rhythmic awareness involves shifting the child’s attention to the front edge of each musical sound of a rhythmic pattern, and as the children are chanting, there is increased emphasis at the front of the phonemes too.

Here are a few of the phonemes that children with dyslexia struggle to differentiate. Looking at this list, it is obvious that there is insufficient sensitivity to the timbral qualities of the sounds as well as the ‘rise time’.

  • ‘p’ and ‘b’
  • ‘sh’ and ’ch’
  • ‘f’ and ‘v’
  • ‘f’ and ’s’
  • ‘pr’ and ‘br’
  • ‘tr’ and ‘chr’

Confusable sounds and conflated ideas

The second thing to think about is a tendency to conflate the sounds of words and similar concepts. Conflation is a reasonable and even logical coping strategy. It is a smart way to ‘cut corners’ as an efficiency drive within the context of a limited working memory. Many children with dyslexia conflate the colours black and brown and name those colours interchangeably. I worked once with a child who had conflated green, black and brown and referred to all three at ‘grown’ (rhyming with brown).

Are there different types of dyslexia?

Essentially, the label refers to a specific difficulty regarding the processing of words. It is described as ‘specific’, because it exists even though the individual has sufficient verbal and non-verbal intelligence to read and write and spell words and has been taught appropriately.

Attempts to classify types of dyslexia as ‘deep’, ‘superficial’, ‘phonological’ and so on are interesting, because all of these manifestations of dyslexia can be found in schools, but at the heart of this, children who have symptoms consistent with a diagnosis of dyslexia lack sufficient sensitivity to rhythm and phonemes. The idea that rhythm is a cure for dyslexia oversimplifies the complexity of this specific learning difficulty. The anecdotal evidence indicates that a rhythm-based intervention can support dyslexia, but I would add the caveat that it must be delivered in a supportive learning environment that also nurtures the child’s self-esteem. The child’s emotional safety must be established before sensitivity to rhythm and the smallest sounds of language can develop.

It is also important to adapt lessons to be more ‘dyslexia friendly’. For example, younger children can benefit from using holistic, multi-sensory approaches, such as the activities that underpin the structure of the Rhythm for Reading Programme. Here are some case studies to illustrate progress made by children, identified by their school as requiring additional support in reading.

If you enjoyed this post, click on these links to read more.

Phonics and stimulation of the vagus nerve: How long and short vowel sounds differ

It is essential to identify any pupil who is falling behind the pace of the school’s phonics programme and to put effective support in place, but the quality of such support must withstand scrutiny. A certain amount of cognitive bias has been identified and found to disadvantage the lowest attaining children.

When phonics and rhythm collide part 1

A child with sensitivity to rhythm is attuned to the onsets of the smallest sounds of language. In terms of rhythmic precision, the front edge of the sound is also the point at which the rhythmic boundary occurs. Children with a well-developed sensitivity to rhythm are also attuned to phonemes and are less likely to conflate the sounds.

When phonics and rhythm collide part 2

Vowel sounds carry interesting information such as emotion, or tone of voice. They are longer (in milliseconds) and without defined edges. Now imagine focussing on the onset of those syllables. The consonants are shorter (in milliseconds), more sharply defined and more distinctive, leaving plenty of headspace for cognitive control. If consonants are prioritised, information flows easily and the message lands with clarity.

Phonemes and syllables: How to teach a child to segment and blend words, when nothing seems to work

There is no doubt that the foundation of a good education, with reading at its core, sets children up for later success. The importance of phonics is enshrined in education policy in England and lies at the heart of teaching children to become confident, fluent readers. However, young children are not naturally predisposed to hearing the smallest sounds of language (phonemes). Rather, they process speech as syllables strung together as meaningful phrases.

What can we do to support the development of reading fluency?

22 November 2023

All children from all backgrounds need to learn to read fluently so that they can enjoy learning and fully embrace the curriculum offered by their school. A key challenge for schools is identifying an appropriate intervention that effectively supports reading fluency. This is a necessary part of a coherently planned, ambitious and inclusive curriculum that should meet the needs of all children.

The children who lag behind their classmates in terms of fluency are not a homogenous group. Although time-consuming and costly, one-on-one teaching is essential for those who struggle the most. However, short, intensive bursts of rhythm-based activity (Long, 2014) have been found to give a significant boost in reading fluency as a small group teaching intervention. This approach is a more efficient use of resources as it supports the majority of children who struggle with fluency in ten weekly sessions of only ten minutes.

An evidence-based, rigorous approach to the teaching and assessment of reading fluency leads to increases in children’s confidence and enjoyment in reading. Whilst logic might suggest that the difficulty level of the reading material is the main block to the development of reading fluency, manipulating the difficulty level does not actually address the underlying issue.

Reading fluency involves not only letter to sound correspondence, but also social reciprocity through the medium of print and therefore the orchestration of several brain networks. The social mechanisms of a child’s reading become audible when the expressive and prosodic qualities in their voice start to appear. This is why a more holistic child-centred perspective is helpful - it allows children to experience learning to read as a playful, rather than a pressured experience.

The pressure felt by children with poor reading fluency arises because of inattention and distractibility, as well as variability in their alertness, which pull them off-task. Compared with their classmates, these children are either more reactive and volatile in social situations, or quieter, and more withdrawn. Our rhythm-based approach uses small group teaching to reset these behaviours, by supporting these children into a more regulated state. Working with the children in this way helps them to adapt to the activities, to adjust their state and to regulate their attention within a highly structured social situation.

What are the key components of reading fluency?

Different frameworks describe fluency in different ways. From a rhythm-based perspective, the components of expression, flow and understanding are the most important. There is one more to consider - social engagement with the author - the person who wrote the printed words. The extent to which the child reads with expression, flow and understanding reflects the degree of social engagement while reading. One of the ways to accomplish this is to free the volume and range of the voice by encouraging a deeper involvement with the text. It’s easy to achieve this in books that invite readers to exaggerate the enunciation of expressive or onomatopoeic words.

Flow in reading fluency

The flowing quality of fluent reading shows that the child has aligned the words on the page with the underlying grammatical structure of the sentences. This sounds more complicated than it actually is and doesn’t need to be taught, because children activate these structures in the first eight months of life, when they acquire their home language. Accessing these deep structures during reading enables them to feel the natural rhythm in the ebb and flow of the language. However, there are many different styles of both spoken and printed language, as each one may have a different rhythmic feel. Feeling the rhythmic qualities of printed language is inherently rewarding and motivating for both children and adults: it allows the mind to drop into a deeper level of engagement and achieve an optimal and self-sustaining flow state.

Understanding in reading fluency

There is one prerequisite! Understanding printed language requires motivation to engage. Let’s call this the ‘why’. It involves a degree of familiarity with the context and a basic knowledge of vocabulary, which are both necessary to stimulate the involvement of long term memory, as well as a desire to become involved in the narrative. Many books introduce us to new concepts, vocabulary and contexts, but the ‘why’ must act as a bridge between what is already known and the, as yet, unknown. This ‘why’ compels us to read on.

About the ‘Why’

In a conversation there is a natural alignment between expression, flow and understanding. The energy in the speaker’s voice may signal a wide range of expressive qualities and emotions which help the listener to understand the ‘why’ behind the narrative, as well as keeping them engaged and encouraging reciprocation. The ‘why’ in the narrative is arguably the most important element in communication as it conveys a person’s attitude and intention in sharing important information about challenges or changes in everyday life and the experiences of individual characters - the staple features of many storylines or plots.

‘Handa’s Surprise’ by Eileen Browne

So, in Eileen Browne’s beautiful telling of ‘Handa’s Surprise,’ a humorous book about a child’s journey to her best friend’s village, the reader learns about the names of the fruits in her basket, the animals that she encounters and becomes curious to learn what happens to Handa as she walks alone in southwestern Kenya.

It isn’t necessary for young children to know the names of the fruits, such as ‘guava’, ‘tangerine’ or ‘passion fruit’. Despite the irregularities of words such as ‘fruit’ and ‘guava’ (and the need to segment ‘tangerine’ with care to avoid ‘tang’) children understand the story, having been introduced to the new (unknown) vocabulary in the (known) context of ‘fruit’. The child’s long term memory offers up the background knowledge of ‘fruit’ as a broad category, but adds the names of the new fruits under the categories: ’food-related’ and ‘fruit’ for use in future situations in their own life.

The new vocabulary in the story enriches children’s knowledge of fruit, but the ‘why’ of this tale is the bigger question… Will Handa complete her journey safely? Empathy for, and identification with Handa elicits, (subconsciously), an increase in the reader’s curiosity and brings further focus to the mechanisms of reading fluency. Once each new word has been assimilated into the category of ‘fruit’, reading fluency is self-sustaining and driven by plot development and empathy for the main character. Having read this story (and many others) with children, I have become aware that reading fluency must become closely aligned with the rule-based patterns of grammar, as these enable irregular words such as ‘fruit’ and ‘guava’ to be quickly assimilated into the flow of the story.

‘Jabberwocky’ by Lewis Carroll

A more famous and exaggerated example of this effect is Lewis Carroll’s ‘Jabberwocky’. Many of the novel ‘words’ invented by Carroll for this poem must be assimilated into the reader’s vocabulary. The process is much the same for made up, as it is for unfamiliar words. Long term memory offers up categories of animals and their behaviour, relative to the evocative sounds of ‘words’ such as, ‘slithy’, ‘frumious’ and ‘frabjous’.

The grammatical structure of each line of verse is kept relatively simple, allowing the narrative to feel highly predictable, as it is clearly supported by the regular metre. The repetitive feel of the ABAB rhyme structure guides the reader to use the conventions of grammar in anticipating, and thus engaging with the unfolding, yet somewhat opaque narrative.

Together, the features of repetition, rhythm and predictability strengthen coherence, so that the words are chunked together in patterns based on the statistically learned probabilities of spoken language. Deeper grammatical structures that sit beneath these rhythmic patterns are logic-based: they offer up meaning and interpretation based on micro-cues of nuanced emphasis, intensity and duration within the fluent stream of language, whether spoken or read.

Why is reading fluency important?

Reading fluency is important for three reasons and these also act as drivers of motivation and learning.

  1. Reading fluency brings the rhythmic patterns of language into alignment with deeper grammatical structures that are necessary for meaning-making.
  2. These structures - which are probabilistic - bring into awareness the most likely next words, phrases, and developments in the story. These are not based on pure guesswork, but reflect the reader’s understanding of the genre, the context and text-specific cues.These include appraising the shape of the word, and automaticity in recognising the shapes of letters (graphemes), words and their corresponding sounds (phonemes). These cues are necessary, but not sufficient to orchestrate fluent reading.
  3. Reading fluency supports children as they expand their vocabulary.

The majority of studies show that:

  • A strong relationship exists between vocabulary size and social background,
  • Up to ninety per cent of vocabulary is not encountered in everyday speech, but in reading,
  • Vocabulary is particularly important for text comprehension,
  • Children’s books tend to include more unfamiliar words than are found in day-to-day speech.

The first two mechanisms work together symbiotically to anticipate, adapt and adjust to what is coming up next in printed language, similar to when we hear someone speaking. The third mechanism changes a child’s perspective on life. Teachers and parents need to expose children to printed language, including the unfamiliar and orthographically irregular words, simply because it is through reading fluency that these words are assimilated into a child’s lexicon.

How do you measure reading fluency?

Listening is key to measuring reading fluency. If a child practises a sentence by repeating it at least three times, there should be a natural shift in the level of engagement. In a child struggling with reading fluency, four attempts may be necessary. Here is an example of the process of refinement through repetition.

  • A beard hoped up to my wind….ow.
  • A b….ir…d h…o….p…p….ed up to my w…in, win…..d…..ow.
  • A b…ear…ir…d, b..ird, BIRD…. hopped up to my wind…ow (long pause) window.
  • A bird hopped up to my window.

The pivotal moment was when ‘b-ird’ became BIRD. This would have sounded louder because the child’s voice would have become clearer once the (known) category ‘bird’ was activated in their long term memory and the meaning behind the word was understood. Long term memory offered up the strong likelihood of ‘hopped’ in relation to the category ‘bird’ and this helped the child to extrapolate that the final word must be a ‘thing’ to hop towards. This was not guesswork, nor was it an exclusive reliance upon phoneme-grapheme correspondence, but an alignment of 1. long term memory (including probabilistic language processing) with 2. visual recognition of letters and knowledge of the sounds they represent (including a degree of automaticity).

Reading fluency can be measured in terms of engagement, expression, flow and understanding and in the Rhythm for Reading programme we specialise in transforming children’s reading at this deep (subconscious) level. Children move from relying on unreliable decoding strategies (because the English language doesn’t follow the regularities of letter to sound correspondence), through to full alignment with the language structures that underpin their everyday speech. Once this shift has taken place, the children are able to enjoy interacting with books and they also grow in confidence in other areas of learning and social development.

We have helped many hundreds of children to engage with reading in this natural and fluent way using our rhythm-based approach, which is delivered in only ten weekly sessions of ten minutes. There are almost a thousand case studies confirming the relationship between our programme and transformations in reading fluency. Click the link to read about selected case studies.

If you have enjoyed reading this post, why not sign up for free weekly ‘Insights’. You will be among the first to know about special offers and our new online programmes!

If reading fluency is of interest, you may enjoy these posts

Reading fluency: Reading, fast or slow?

Schools ensure that all children become confident fluent readers, so that every child can access a broad and balanced curriculum. Fluent reading underpins a love of reading and is an important skill for future learning and employment and it also enables children to apply their knowledge and skills with ease.

Reading fluency again - looking at prosody

Prosody is closely associated with skilled reading, being integral to fluency and a predictor of achievement in reading accuracy and comprehension. Prosody is not taught, but it is a naturally occurring feature of competent reading. The words on the page may be arranged in horizontal lines, but a good reader transcends the visual appearance of the words, allowing them to take on a natural, flexible and speech-like quality.

Considering reading fluency

Many teachers and head teachers have remarked on the improvement in their pupils’ reading fluency, so it seemed important to try to capture what has been happening. Of course, there are different ways to define and to measure reading fluency, but here is a snapshot of what we found when using two types of assessment.

References

Eileen Browne (1995) Handa’s Surprise, Walker Books and Subsidiaries.

Long, Marion. “‘I can read further and there’s more meaning while I read’: An exploratory study investigating the impact of a rhythm-based music intervention on children’s reading.” Research Studies in Music Education 36.1 (2014): 107-124.

Page 1 of 5 pages  1 2 3 >  Last ›

Read more: