The Rhythm for Reading blog

Fluency and feeling in reading

22 March 2024

Fluency refers to the flowing qualities in the reading. And these flowing qualities are mercurial in the sense that it is difficult to measure and define them. In the Rhythm for Reading Programme, we use the metaphor of traffic flow to help us to monitor the development of fluency from week to week.

Traffic that is barely flowing stops and starts frequently, but there is still a general sense of moving forward on the journey to the destination. This feeling would apply to word-by-word reading.

Traffic that moves forward for a short period and then stops briefly has a sense of moving in undulating waves that lack real momentum, but despite this, there is a clear sense of moving forward. This feeling is fluent in short bursts, but not sustained enough to convey the shape of a phrase or a sentence.

The traffic that moves forward and then slows suddenly, but keeps moving has an undulating quality. This sense of movement is not yet strong, though it conveys some underlying momentum. This type of fluency communicates the shape and meaning of a phrase, but is not yet self-sustaining.

When traffic is flowing, it maintains a steady pace for the most part. This represents the fluency in reading that is self-sustaining and enjoyable. On occasion, there may be an unfamiliar word which needs a second look, but in the main, it flows well.

It is also possible to imagine the type of driving that is very fast and reckless. How might this sit within our traffic metaphor? Well reckless driving could be erratic, involve cutting corners and even jumping red lights. The same thing happens in reading that is fast but not fluent. Syllables, words and phrases are skipped over and punctuation is often ignored. The reasons for this can be seen in both reading and driving: there is a need to reach the destination, but this is achieved in an unstable, rather than a balanced way.

Balance in reading fluency

If balance is required, then we need to think about poise, stillness and patience. Recent posts have referred to the importance of conversation and social interaction in the early years before a child starts school. This same principle applies to reading fluency. The rhythm of a conversation involves an ebb and flow of turn-taking. This isn’t only about consideration and courtesy on both sides, it’s also about the child’s experience of balance as an integral part of social connection.

Social connection might be stressful, fun or even soothing. Each type of social connection generates its own rhythmic signature and has its own feelings.

• Stressful conversations are likely to involve abrupt short phrases and there might be too little or no patience on both sides, generating frustration and imbalance.
• Fun conversations are likely to involve ‘banter’ - everyone is playing along. The pace of the conversation is swift and the mood is buoyant. There is a heightened sense of timing. Explosive laughter punctuates the jokes, the quick-fire responses, the mystery and the punchlines. Phrases are sometimes long and sometimes short. The sheer variety is key to playfulness, with some unpredictability in the mix and all of this complexity is likely to elicit laughs, smiles and good cheer.
• Soothing conversations are not meant to be entertaining. Rather, they offer reassurance and support, and there’s a timeless quality to these. The ebb and flow of phrases might drift in and out of focus, but momentum does not seem to matter at all. Sharing in the moment feels more important than what is said. In fact the words might be repetitive and uninteresting: tone of voice is key.

Different types of social connection and different types of driving are similar in one way. They require us to anticipate what is about to happen. The exception to this would be reckless driving, which is more erratic and therefore takes more effort to predict. Most of the time, however, it is possible to attune to the flowing qualities of traffic and conversations, and to make accurate judgments in terms of when and how to respond.

When children learn to read, they become fluent if they are attuned to the flowing qualities of the text. A text that encourages very short phrases and sentences will not support a child to read fluently, but one with longer sentences and a credible narrative will. This is because reading fluently requires immersion and a deeper level of connection with the text.

Anticipation in fluency, feeling and flow

To develop fluent reading, children are like drivers who can adapt to the flow of the traffic. It’s necessary to accommodate changes in the shapes and lengths of phrases. A good writer will vary these to maintain the reader’s attention. It is also important to anticipate what lies ahead. Failure to anticipate leads to loss of control for drivers and readers alike. What does anticipate mean? It is a very broad term, which involves projecting a number of possible outcomes at any one time.

For example, there might be a possibility that a lightweight lorry will overtake a heavier one. A driver anticipating this will already have prepared to move into a new road position: failure to do so would lead to braking and slowing down. In comparison, a fluent reader, aware that two characters are plotting against the protagonist might be looking out for small signs that something is about to happen. This sense of anticipation sharpens the involvement in the text, fluency intensifies and reading becomes more pleasurable and rewarding with rising levels of curiosity.

We can see from these examples that a sense of anticipation is fundamental to fluency. An involvement in the text sparks a degree of engagement and a guessing game begins. The text may be factual or fictitious, but once ignited, the reader needs to satisfy their appetite for information. And yet, if anticipation and igniting interest were all that was required to achieve reading fluency, there would be no need to write this post. After all, children are surrounded by adults who are helping them to become more involved and to think about what might happen next.

The missing piece of the puzzle

Like driving, reading fluency is in part, about safety. How safe is this child feeling in this situation? Are they willing to let their guard down? Are they ready to surrender to the power of the text or do they need to maintain their sense of control of their learning situation? Remember that fluent readers are able to ‘get lost in a book’. When children consider themselves to be vulnerable to educational failure because they are being judged as weak, fragile or struggling readers, they are unlikely to relax sufficiently to trust the process of learning and interacting, and are at greater risk of falling behind.

On the positive side, neuroscience has shown that when humans listen to someone speak, they are able to understand them (even as they talk at a pace of 250 words per minute) because they anticipate what they are likely to say. The details of the conversation are the ‘unknowns’, but the subject matter and all the related experiences of that topic are used to anticipate what is coming up in the conversation.

Selecting a topic of conversation opens up a ‘reference library’ of past experiences. If the conversation turned to attending a recent wedding, relevant information might include anecdotes about wedding cakes, family dynamics, embarrassing speeches and beautiful dresses. It would be possible to toggle between these for variety. In this way, the conversation is anticipated and enjoyed with ease.

Given that anticipation is an important part of our ability to predict and understand what is likely to happen next in different types of social interaction, we don’t need to teach this to children, but we do need to help children attune to an aspect of this process. This is known as ‘mentalising’ (or theory of mind) when they read. In other words, to be willing to figure out what others, such as characters or even the writer are thinking.

To return to the analogy with traffic as an example of mentalising, if a driver anticipates what another driver may do, they have also processed this in relation to the broader context. They are likely to avoid a collision and therefore feel safer when driving. If a driver fails to anticipate, they are unlikely to have fully processed the context of the situation. They may misinterpret the other driver’s signals, with a greater risk of an accident. This shows that anticipation and theory of mind are ‘life skills’ as much in reading the road, as in reading a book.

“The most effective teaching of reading is that which gives the pupil the various skills he or she needs to make the fullest possible use of context cues in search for meaning (The Bullock Committee, 1975, Recommendation 73)

It is not difficult to appreciate that making the fullest use of contextual cues involve a certain amount of integration. The information can only make sense if there are logical relationships between the different levels of information.

So, in terms of driving, knowing about the driving conditions would allow the driver to anticipate the flow of the traffic, such as whether

• visibility is poor or good,
• the road slopes uphill or downhill,
• the surface of the road is dry or wet.

Conditions that change affect the speed of heavy vehicles such as lorries also affect the action a car driver takes to avoid slowing down or risking a collision. Thinking well ahead would allow time to process all the information, while at the same time, maintaining control of the car.

In reading, a change in a character’s behaviour might only make sense to a reader if the context has been fully understood. Anticipation of different possible outcomes would help them to adjust to the twists and turns of the storyline. Just as a speaker can anticipate topics and subtopics in a conversation, a reader co-opts this same behaviour when engaging with a text. The more at ease the reader is with that topic, the more integrated the context feels and making it easier to anticipate what is about to happen.

Fostering fluency and feeling

Humans have adapted to their environment, partly by harnessing the power of communication and by acquiring the perfect balance between curiosity and inhibition. Too little inhibition and we become reckless, putting ourselves and others at risk. Too much inhibition and we are unlikely to engage meaningfully with the social world at all. The point in between is where the ease and joy of learning and reading fluency exist.

According to educators, Purvis and Greenwood (1996), a ‘process approach’ can help children in the early years find safety in learning and to move beyond the boundaries of the immature, egocentric self.

The process approach involves assuming the role of a detective and practising eight different skills:

• Describing,
• Investigating,
• Communicating,
• Sequencing,
• Explaining,
• Observing,
• Questioning
• Hypothesising.

To put this into practice, they suggest that children sit in a circle and take turns to handle an unfamiliar object - such as a toy from the past, offering their impressions and ideas about this object. This approach promotes positive attitudes towards learning such as:

• Motivation,
• Curiosity,
• Interest in people,
• Concern for the environment,
• Tolerance,
• Self-esteem.

This approach is directly related to reading fluency because it supports vocabulary development, but more importantly, it models for the children the idea that exploration of an unfamiliar object or an irrelevant context may feel uncomfortable, but is perfectly safe.

Achieving a sense of safety when encountering unfamiliar objects in the classroom will help all the children to feel more in alignment with others. This improvement in social cohesion will help them find greater ease and fluency when reading and learning. Of course, the unfamiliar object would need to be so unusual that none of the children in the classroom would recognise it.

To a large extent, socially disadvantaged children are expected to take part in activities that feel alien to them, whereas these same activities are safe and familiar to more advantaged children in that classroom. It is likely that these early experiences of school life are reciprocated by the children’s learning behaviour and attitudes towards learning. Those who feel safe will learn, while children who feel unsafe will put up barriers to learning. If the dynamics of inequality were not reinforced by subtle cues in the classroom in day-to-day activities, disadvantaged children would feel safer and that they had a fairer chance at school.

In the Rhythm for Reading Programme, safety in learning lies at the heart of our ethos. Everyone learns to read a musical notation system that they are unfamiliar with, as we use the bass clef, which is largely new to everybody. The rhythm-based actions that we use are also novel as they are unique to the programme. This sense of fairness - genuine team working in which everyone feels equal - is an important element of the programme. Working as part of a team therefore, and in the context of equality, each child succeeds in reading simple musical notation fluently. Once this is established in a matter of five minutes, the programme builds on fluency and feelings of safety by cultivating ease, engagement and empowerment in the children’s reading skills.

To find out more about the Rhythm for Reading Programme, click here.

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If you enjoyed this post, I’ve picked out a few more!

Fluency: Finding flow in early reading

The pupils who most need to improve in terms of reading fluency (the lowest twenty percent of children) require support from the most effective teachers. Teaching effectiveness is known to be a strong predictor of pupils’ progress throughout school and for these children, pedagogy that develops a sense of mastery through repetition, reviewing and building familiarity with new words, supports the development of confident and fluent reading.

Rhythm, flow, reading fluency and comprehension

There’s evidence to show that feelings of cooperation and safety are experienced when humans sing and dance together and many people report being able to sustain hours of music making, when in a group. Other species such as birds and fish also deter predators by forming a large mass of synchronised movement patterns. Murmurations form before birds roost for the night and shoals of herrings achieve the same mesmeric effect when they are pursued by predators such as sea bass.

Fluency is not just our goal, it’s our foundation

I believe that together, as educators on a mission to make a difference, we can raise standards in reading. The Rhythm for Reading programme offers a mechanism to achieve this. The programme provides a cumulative and structured approach that supports inclusive teaching and learning.

For instance, in the programme, there is absolutely no need to break down tasks. We strive to lighten the cognitive load on working memory and a light cognitive load is an inbuilt feature of the programme. This is why pupils experience the satisfaction of reading musical notation fluently in the very first week of the programme.

Considering reading fluency

Earlier this year, we started to measure our impact in a slightly different way. Many teachers and head teachers have remarked on the improvement in their pupils’ reading fluency, so it seemed important to try to capture what has been happening. Of course, there are different ways to define and to measure reading fluency, but here is a snapshot of what we found when using two types of assessment.

REFERENCES

Purvis, S. and Greenwood, J. (1996) ‘Mrs Rainbow told us what things were like when she went to school.’ History in the early years. In:D. Whitebread and P. Coltman, Teaching and Learning in the Early Years, London and New York, Routledge.

The Bullock Committee (1975) A Language for Life. (The Bullock Report). London. Department of Education and Science.

What can we do to support the development of reading fluency?

22 November 2023

All children from all backgrounds need to learn to read fluently so that they can enjoy learning and fully embrace the curriculum offered by their school. A key challenge for schools is identifying an appropriate intervention that effectively supports reading fluency. This is a necessary part of a coherently planned, ambitious and inclusive curriculum that should meet the needs of all children.

The children who lag behind their classmates in terms of fluency are not a homogenous group. Although time-consuming and costly, one-on-one teaching is essential for those who struggle the most. However, short, intensive bursts of rhythm-based activity (Long, 2014) have been found to give a significant boost in reading fluency as a small group teaching intervention. This approach is a more efficient use of resources as it supports the majority of children who struggle with fluency in ten weekly sessions of only ten minutes.

An evidence-based, rigorous approach to the teaching and assessment of reading fluency leads to increases in children’s confidence and enjoyment in reading. Whilst logic might suggest that the difficulty level of the reading material is the main block to the development of reading fluency, manipulating the difficulty level does not actually address the underlying issue.

Reading fluency involves not only letter to sound correspondence, but also social reciprocity through the medium of print and therefore the orchestration of several brain networks. The social mechanisms of a child’s reading become audible when the expressive and prosodic qualities in their voice start to appear. This is why a more holistic child-centred perspective is helpful - it allows children to experience learning to read as a playful, rather than a pressured experience.

The pressure felt by children with poor reading fluency arises because of inattention and distractibility, as well as variability in their alertness, which pull them off-task. Compared with their classmates, these children are either more reactive and volatile in social situations, or quieter, and more withdrawn. Our rhythm-based approach uses small group teaching to reset these behaviours, by supporting these children into a more regulated state. Working with the children in this way helps them to adapt to the activities, to adjust their state and to regulate their attention within a highly structured social situation.

What are the key components of reading fluency?

Different frameworks describe fluency in different ways. From a rhythm-based perspective, the components of expression, flow and understanding are the most important. There is one more to consider - social engagement with the author - the person who wrote the printed words. The extent to which the child reads with expression, flow and understanding reflects the degree of social engagement while reading. One of the ways to accomplish this is to free the volume and range of the voice by encouraging a deeper involvement with the text. It’s easy to achieve this in books that invite readers to exaggerate the enunciation of expressive or onomatopoeic words.

Flow in reading fluency

The flowing quality of fluent reading shows that the child has aligned the words on the page with the underlying grammatical structure of the sentences. This sounds more complicated than it actually is and doesn’t need to be taught, because children activate these structures in the first eight months of life, when they acquire their home language. Accessing these deep structures during reading enables them to feel the natural rhythm in the ebb and flow of the language. However, there are many different styles of both spoken and printed language, as each one may have a different rhythmic feel. Feeling the rhythmic qualities of printed language is inherently rewarding and motivating for both children and adults: it allows the mind to drop into a deeper level of engagement and achieve an optimal and self-sustaining flow state.

Understanding in reading fluency

There is one prerequisite! Understanding printed language requires motivation to engage. Let’s call this the ‘why’. It involves a degree of familiarity with the context and a basic knowledge of vocabulary, which are both necessary to stimulate the involvement of long term memory, as well as a desire to become involved in the narrative. Many books introduce us to new concepts, vocabulary and contexts, but the ‘why’ must act as a bridge between what is already known and the, as yet, unknown. This ‘why’ compels us to read on.

About the ‘Why’

In a conversation there is a natural alignment between expression, flow and understanding. The energy in the speaker’s voice may signal a wide range of expressive qualities and emotions which help the listener to understand the ‘why’ behind the narrative, as well as keeping them engaged and encouraging reciprocation. The ‘why’ in the narrative is arguably the most important element in communication as it conveys a person’s attitude and intention in sharing important information about challenges or changes in everyday life and the experiences of individual characters - the staple features of many storylines or plots.

‘Handa’s Surprise’ by Eileen Browne

So, in Eileen Browne’s beautiful telling of ‘Handa’s Surprise,’ a humorous book about a child’s journey to her best friend’s village, the reader learns about the names of the fruits in her basket, the animals that she encounters and becomes curious to learn what happens to Handa as she walks alone in southwestern Kenya.

It isn’t necessary for young children to know the names of the fruits, such as ‘guava’, ‘tangerine’ or ‘passion fruit’. Despite the irregularities of words such as ‘fruit’ and ‘guava’ (and the need to segment ‘tangerine’ with care to avoid ‘tang’) children understand the story, having been introduced to the new (unknown) vocabulary in the (known) context of ‘fruit’. The child’s long term memory offers up the background knowledge of ‘fruit’ as a broad category, but adds the names of the new fruits under the categories: ’food-related’ and ‘fruit’ for use in future situations in their own life.

The new vocabulary in the story enriches children’s knowledge of fruit, but the ‘why’ of this tale is the bigger question… Will Handa complete her journey safely? Empathy for, and identification with Handa elicits, (subconsciously), an increase in the reader’s curiosity and brings further focus to the mechanisms of reading fluency. Once each new word has been assimilated into the category of ‘fruit’, reading fluency is self-sustaining and driven by plot development and empathy for the main character. Having read this story (and many others) with children, I have become aware that reading fluency must become closely aligned with the rule-based patterns of grammar, as these enable irregular words such as ‘fruit’ and ‘guava’ to be quickly assimilated into the flow of the story.

‘Jabberwocky’ by Lewis Carroll

A more famous and exaggerated example of this effect is Lewis Carroll’s ‘Jabberwocky’. Many of the novel ‘words’ invented by Carroll for this poem must be assimilated into the reader’s vocabulary. The process is much the same for made up, as it is for unfamiliar words. Long term memory offers up categories of animals and their behaviour, relative to the evocative sounds of ‘words’ such as, ‘slithy’, ‘frumious’ and ‘frabjous’.

The grammatical structure of each line of verse is kept relatively simple, allowing the narrative to feel highly predictable, as it is clearly supported by the regular metre. The repetitive feel of the ABAB rhyme structure guides the reader to use the conventions of grammar in anticipating, and thus engaging with the unfolding, yet somewhat opaque narrative.

Together, the features of repetition, rhythm and predictability strengthen coherence, so that the words are chunked together in patterns based on the statistically learned probabilities of spoken language. Deeper grammatical structures that sit beneath these rhythmic patterns are logic-based: they offer up meaning and interpretation based on micro-cues of nuanced emphasis, intensity and duration within the fluent stream of language, whether spoken or read.

Why is reading fluency important?

Reading fluency is important for three reasons and these also act as drivers of motivation and learning.

1. Reading fluency brings the rhythmic patterns of language into alignment with deeper grammatical structures that are necessary for meaning-making.
2. These structures - which are probabilistic - bring into awareness the most likely next words, phrases, and developments in the story. These are not based on pure guesswork, but reflect the reader’s understanding of the genre, the context and text-specific cues.These include appraising the shape of the word, and automaticity in recognising the shapes of letters (graphemes), words and their corresponding sounds (phonemes). These cues are necessary, but not sufficient to orchestrate fluent reading.
3. Reading fluency supports children as they expand their vocabulary.

The majority of studies show that:

• A strong relationship exists between vocabulary size and social background,
• Up to ninety per cent of vocabulary is not encountered in everyday speech, but in reading,
• Vocabulary is particularly important for text comprehension,
• Children’s books tend to include more unfamiliar words than are found in day-to-day speech.

The first two mechanisms work together symbiotically to anticipate, adapt and adjust to what is coming up next in printed language, similar to when we hear someone speaking. The third mechanism changes a child’s perspective on life. Teachers and parents need to expose children to printed language, including the unfamiliar and orthographically irregular words, simply because it is through reading fluency that these words are assimilated into a child’s lexicon.

How do you measure reading fluency?

Listening is key to measuring reading fluency. If a child practises a sentence by repeating it at least three times, there should be a natural shift in the level of engagement. In a child struggling with reading fluency, four attempts may be necessary. Here is an example of the process of refinement through repetition.

• A beard hoped up to my wind….ow.
• A b….ir…d h…o….p…p….ed up to my w…in, win…..d…..ow.
• A b…ear…ir…d, b..ird, BIRD…. hopped up to my wind…ow (long pause) window.
• A bird hopped up to my window.

The pivotal moment was when ‘b-ird’ became BIRD. This would have sounded louder because the child’s voice would have become clearer once the (known) category ‘bird’ was activated in their long term memory and the meaning behind the word was understood. Long term memory offered up the strong likelihood of ‘hopped’ in relation to the category ‘bird’ and this helped the child to extrapolate that the final word must be a ‘thing’ to hop towards. This was not guesswork, nor was it an exclusive reliance upon phoneme-grapheme correspondence, but an alignment of 1. long term memory (including probabilistic language processing) with 2. visual recognition of letters and knowledge of the sounds they represent (including a degree of automaticity).

Reading fluency can be measured in terms of engagement, expression, flow and understanding and in the Rhythm for Reading programme we specialise in transforming children’s reading at this deep (subconscious) level. Children move from relying on unreliable decoding strategies (because the English language doesn’t follow the regularities of letter to sound correspondence), through to full alignment with the language structures that underpin their everyday speech. Once this shift has taken place, the children are able to enjoy interacting with books and they also grow in confidence in other areas of learning and social development.

We have helped many hundreds of children to engage with reading in this natural and fluent way using our rhythm-based approach, which is delivered in only ten weekly sessions of ten minutes. There are almost a thousand case studies confirming the relationship between our programme and transformations in reading fluency. Click the link to read about selected case studies.

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If reading fluency is of interest, you may enjoy these posts

Reading fluency: Reading, fast or slow?

Schools ensure that all children become confident fluent readers, so that every child can access a broad and balanced curriculum. Fluent reading underpins a love of reading and is an important skill for future learning and employment and it also enables children to apply their knowledge and skills with ease.

Reading fluency again - looking at prosody

Prosody is closely associated with skilled reading, being integral to fluency and a predictor of achievement in reading accuracy and comprehension. Prosody is not taught, but it is a naturally occurring feature of competent reading. The words on the page may be arranged in horizontal lines, but a good reader transcends the visual appearance of the words, allowing them to take on a natural, flexible and speech-like quality.

Considering reading fluency

Many teachers and head teachers have remarked on the improvement in their pupils’ reading fluency, so it seemed important to try to capture what has been happening. Of course, there are different ways to define and to measure reading fluency, but here is a snapshot of what we found when using two types of assessment.

References

Eileen Browne (1995) Handa’s Surprise, Walker Books and Subsidiaries.

Long, Marion. “‘I can read further and there’s more meaning while I read’: An exploratory study investigating the impact of a rhythm-based music intervention on children’s reading.” Research Studies in Music Education 36.1 (2014): 107-124.

Virtuous spirals

1 October 2016

Last month’s post focussed on the expressive aspect of reading fluency, drawing a comparison between the varying trajectories of a ball in a tennis match with the varying contours of sentences in a passage of text. The analogy served (npi) to emphasise the high degree of flexibility and poise required for fluent reading. However, in this post I want to stress the importance of the link between reading fluency and reading comprehension: skilled readers who are able to read with fluency and understanding are swept up into a virtuous spiral, which contributes to a lifelong-love of reading and learning.

There is little point in being able to read quickly, accurately or fluently, if readers cannot process the meaning of a passage. Without the automatic integration of decoding and semantic processing that skilled readers enjoy, weaker readers cannot experience the intrinsically rewarding aspects of reading and benefit from the same virtuous spiral. A wide range of cultural factors such as maternal education, gender, SES and changes in digital technology may disadvantage some children, but it is important to maintain the high expectation that every child can become a skilled reader. Training weak readers to identify in a text the visual match to the key words in a comprehension question and then retrieve the whole sentence without necessarily understanding the text for example, can only serve to degrade their experience of reading and learning.

Readers with poor comprehension skills are limited by their recognition of printed words as ‘signs of language’ that convey sound (phonological processing). Skilled readers on the other hand, recognise words and phrases as ‘signs of real or imagined life’ that convey meaning (phonological and semantic processing, as well as detecting grammatical structure).

Interestingly, the integration of decoding with semantic processing occurs without deliberate effort on the part of skilled readers. Weak readers, however need help with integrating decoding, syntactic and semantic processing. This can be achieved by improving their sensitivity to rhythm in a matter of weeks. Rhythmic awareness is integral to the way we breath, eat, laugh, speak and move and can be extended to reading too. Read more here.

Reading for Pleasure

9 November 2014

If you have seen our website and thought, “Okay, but what does rhythm have to do with reading?” - here’s a post that explains one aspect of the Rhythm for Reading programme and the way that it helps pupils to read for pleasure. Language, in speech and written form, is all the more evocative and intelligible when its sounds, syntax, style and structure cohere to compelling effect. Reading for pleasure, becoming completely immersed in a book, appears to be effortless because our fluent reading skills generate a self-sustaining momentum. Let’s unpack this.

Every sentence, no matter how simple it appears to be is remarkable in that it is shaped from a seemingly infinite range of possibilities. Sentences vary enormously in their length and complexity, yet they are essentially binary in their structure: consisting of a subject and its predicate. The tension between these grammatical elements plays an important role in generating the self-sustaining momentum of language.

To read a simple passage of printed language without undue effort, a reader needs to be able to negotiate the shape and structure of the sentence in addition to recognising the words. Word recognition skills are necessary for the development of fluent reading, but are not sufficient. Reading for pleasure involves being able to ride the rhythm generated by the grammatical structure of language and being able at the same time, to respond to the shape and pace of each sentence. During Rhythm for Reading intervention sessions, pupils are immersed in a series of reading tasks that are enriched by musical shapes, styles and structures. As a form of group teaching, this approach offers a unique opportunity to develop the dynamic processes that contribute to reading for pleasure without front-loading pupils with decoding, vocabulary and word recognition.