The Rhythm for Reading blog
All posts tagged 'fluency'
Releasing Resistance to Reading
1 January 2017
It may seem odd to post on the topic of resistance on the first day of the year, but let’s not forget that the flip side of a new resolution involves effort to override old patterns.
Resistance is the entrenched furrow that our everyday thoughts have engraved in our mind. We feel resistance when the initial impetus of the ‘new’ wears off and the familiar old way begins to reassert itself.
This is an uncomfortable topic as resistance is a potentially self-sabotaging behaviour. It has the power to divert our efforts to try new things, unleashing opportunities to face our old fears and stories. It is only when resistance is ‘released’ that the benefits of new behaviours become permanent and lasting change becomes possible.
In fact, some of my most rewarding and meaningful experiences in teaching have involved releasing children’s resistance to reading, teamwork, group teaching, moving in time with others and music. This has happened in a very short timeframe, as part of the process of developing reading fluency through the Rhythm for Reading programme.
Rhythm induces a state of flow and people often talk about getting into a ‘rhythm’ or a ‘groove’ as part of their creative process and also in relation to exercising. Language processing is also sensitive to rhythmic flow states, for example when we become absorbed by a book or when we write and find that the writing starts to flow.
Interviewed about the factors that interfered with flow states, (see last month’s post for more on this) Csikszentmilhalyi’s informants described, ‘aspects of normative life’ which included: a sense of unmanageable fear, the pressure to work to deadlines and clock-watching. There was a general orientation towards the final outcome rather than the process - in other words, the journey. A focus on extrinsic rewards and material gain and also social rewards also seemed to block people’s ability to find flow, which tells us something about effects of consumer culture of that time. Even at the turn of the century there was an awareness that becoming mentally distracted was a growing problem and people also reported a confusion of attention. Lastly, isolation from nature was described as a big factor in people’s loss of flow. Thankfully, almost twenty years later, we are now more aware of the therapeutic value of spending time in nature..
From this list, it seems that the conditions of contemporary life may not only impede the development of flow states, but also reinforce the experience of resistance. Many of the items on this list pop up in our homes, places of work, schools and classrooms. As we move forward into 2017, perhaps, a fresh look at our everyday lives could help us to find and maintain flow states and make time for opportunities to gently release resistance.
Csikszentmihalyi: (1975; 2000) Beyond boredom and anxiety: Experiencing flow in work and play, 25th anniversary edition San Francisco, Jossey-Bass Inc.
Rhythmic elements in reading: From fluency to flow
4 December 2016In recent posts, I’ve described reading fluency as necessary for the experience of reading as a pleasurable and personally rewarding activity. The intrinsic rewards of reading for pleasure can lead individuals into a flow state, in which they describe being swept up or getting lost in a book and losing track of time.
A flow state is highly desirable as it is associated with efficiency, well-being and the development of expertise in many different fields. To understand the flow state phenomenon, Csikszentmihalyi interviewed expert surgeons, rock climbers and chess players who had developed their interest in each activity mainly for its intrinsic rewards, but also spoke about the element of risk involved. It is fascinating to consider that these individuals felt compelled to push hard against the limits of their knowledge and skills and actively challenged themselves in ways that forced them to develop their competence further.
A willingness to confront challenging situations, which involved a degree of risk, enabled these individuals to build systematically upon their knowledge, competency and skills, which in turn led to the development of their expertise. There are obvious dangers in surgery and rock-climbing, which put physical safety at risk, whereas in playing chess, the risk occurs at an abstract level involving the mental discipline and strength of each player. However, in each setting, the surgeons, rock-climbers and chess players experienced what Csikszentmihalyi described as a ‘merging of action and awareness’, which enabled them to focus all of their attention on their engagement with the activity (2000, p.149).
In studying the flow state, Csikszentmihalyi discovered patterns such as (i) move and counter-move in chess and (ii) movement and balance cycles in rock-climbing. These patterns of behaviour were key to achieving a state of relaxed alertness, described by one participant as a ‘self-contained universe’ (2000, p.40). Surprisingly, the similarities between the flow state described in high stress activities such as playing chess and rock-climbing can be compared with the more relaxing activity of reading for pleasure: this is similarly dependent on the coordination and maintenance of multiple skills, but with the addition of fluency of movement across printed words and the deployment of rhythmic sensitivity to the patterns within language.
Just as the natural rhythms of move versus countermove in chess and, movement versus balance involved in climbing induce a state of alert awareness, research into rhythm-based approaches to the teaching of reading has shown that developing pupils’ sensitivity to rhythm has allowed them to enjoy and understand what they read at the level of the phrase, the sentence and the narrative (Long, 2014). This state of pure involvement and learned sensitivity has enabled children to make extraordinary progress in only ten weeks - best of all, they now love to read. Read more.
Csikszentmihalyi: (1975; 2000) Beyond boredom and anxiety: Experiencing flow in work and play, 25th anniversary edition San Francisco, Jossey-Bass Inc.
Long, M. (2014) ‘I can read further and there’s more meaning while I read’: An exploratory study investigating the impact of a rhythm-based music intervention on children’s reading, Research Studies in Music Education, 36 (1) , pp. 107-124
Reading fluency again - looking at prosody
1 October 2016In this second blog post in my series on reading fluency, I am looking at prosody. At the end of the Rhythm for Reading P[rogramme, teachers often say that there has been a distinct improvement in the prosodic element of children’s reading. Prosody is closely associated with skilled reading, being integral to fluency and a predictor of achievement in reading accuracy and comprehension (Veenendaal et al., 2016). Prosody is not taught, but it is a naturally occurring feature of competent reading. The words on the page may be arranged in horizontal lines, but a good reader transcends the visual appearance of the words, allowing them to take on a natural, flexible and speech-like quality.
Perhaps good readers could be compared to good tennis players in the sense that they can respond intuitively, flexibly and rapidly to the dynamic, fast-moving pace of change, whether on the court, or on the page. Imagine you are watching a tennis rally. Every time the players hit the tennis ball, it carves a unique trajectory through the air. Often, the players may return the strokes in the manner of reciprocation, but sometimes the trajectory may surprise or challenge a player, requiring them to respond with renewed agility if they are to regain their poise.
Poise is also required in reading and researchers have asked how good readers are able to rapidly integrate the elements of reading, given that the processing areas of the brain known to be involved in the decoding and understanding of printed language, are not local to one other (Rayner, Pollatsek, Ashby, & Clifton, 2012). It is possible that just as good tennis players are able to predict their opponent’s next stroke, good readers are able to predict the most likely contour in terms of sentence structure, and anticipate the most meaningful content in relation to contextual cues, thus integrating the various processes of reading.
The rhythmic elements of integrated processes are perhaps more apparent in a tennis match than in reading. The elasticity and subtle shifts in the rhythm of a tennis rally can electrify a crowd. Each stroke is not a mere repetition of the previous stroke – it is a renewal of the previous stroke and as such, is inherently rewarding to the player and the audience. Similarly, as a reader confirms the meaningful aspect of one sentence and projects the probable meaning(s) at the beginning of the next sentence, a natural cycle of projection and renewal of understanding develops.
References
Rayner, K., Pollatsek, A., Ashby, J., & Clifton, C. Jr., (2012). Psychology of reading (2nd ed.). New York: Psychology Press.
Veenendaal, N.J., Groen, M.A. and Verhoeven, L., 2016. Bidirectional relations between text reading prosody and reading comprehension in the upper primary school grades: a longitudinal perspective. Scientific Studies of Reading, 20(3), pp.189-202.
Virtuous spirals
1 October 2016Last month’s post focussed on the expressive aspect of reading fluency, drawing a comparison between the varying trajectories of a ball in a tennis match with the varying contours of sentences in a passage of text. The analogy served (npi) to emphasise the high degree of flexibility and poise required for fluent reading. However, in this post I want to stress the importance of the link between reading fluency and reading comprehension: skilled readers who are able to read with fluency and understanding are swept up into a virtuous spiral, which contributes to a lifelong-love of reading and learning.
There is little point in being able to read quickly, accurately or fluently, if readers cannot process the meaning of a passage. Without the automatic integration of decoding and semantic processing that skilled readers enjoy, weaker readers cannot experience the intrinsically rewarding aspects of reading and benefit from the same virtuous spiral. A wide range of cultural factors such as maternal education, gender, SES and changes in digital technology may disadvantage some children, but it is important to maintain the high expectation that every child can become a skilled reader. Training weak readers to identify in a text the visual match to the key words in a comprehension question and then retrieve the whole sentence without necessarily understanding the text for example, can only serve to degrade their experience of reading and learning.
Readers with poor comprehension skills are limited by their recognition of printed words as ‘signs of language’ that convey sound (phonological processing). Skilled readers on the other hand, recognise words and phrases as ‘signs of real or imagined life’ that convey meaning (phonological and semantic processing, as well as detecting grammatical structure).
Interestingly, the integration of decoding with semantic processing occurs without deliberate effort on the part of skilled readers. Weak readers, however need help with integrating decoding, syntactic and semantic processing. This can be achieved by improving their sensitivity to rhythm in a matter of weeks. Rhythmic awareness is integral to the way we breath, eat, laugh, speak and move and can be extended to reading too. Read more here.
Considering reading fluency
1 September 2016 
Earlier this year, we started to measure our impact in a slightly different way. Many teachers and head teachers have remarked on the improvement in their pupils’ reading fluency, so it seemed important to try to capture what has been happening. Of course, there are different ways to define and to measure reading fluency, but here is a snapshot of what we found when using two types of assessment. Luke (not his real name) aged 11, attends an outstanding school in the East of England and according to the school’s tracking data in December 2015, his reading age was 8 years, 3 months, which was broadly in line with our baseline reading rate score using the Neale Analysis of Reading Ability (NARA II).
Luke has a SEND diagnosis, and he participated in the Rhythm for Reading sessions with unwavering commitment. Although he was quite a bit younger, he quickly became the leader of a group of adolescent boys all of whom struggled with attainment across the curriculum. Luke’s teacher observed all of the sessions. She was amazed by his confident approach and said that this was a side of him that the staff at school had not seen before.
The ten sessions of the programme ended in March 2016. Luke had gained 7 months in reading fluency (AAB)* and 35 months in sentence comprehension (AAB). His scores on the NARA II showed a gain of 13 months in accuracy, 8 months in comprehension and 38 months in rate of reading.
Luke’s teacher observed his classwork and filled in a tick box survey, comparing his recent progress during the programme with his usual rate of progress. During the period from January to March 2016, his teacher observed that he’d made better progress than usual in using punctuation, understanding texts, participating in class and in his attitude towards reading.
In March, I asked Luke whether or not he’d noticed a change in his reading since we started the programme. He replied, “It’s helped me with my reading and my eye focussing and my concentrating.” When I asked him how that made him feel, his response was heartfelt,
It makes me feel better. It makes me want to read more. I never wanted to read. I never used to read. Now I love reading.
Hearing Luke read expressively and effortlessly on that day was wonderful, but to hear him proclaim his enjoyment of reading was such a privilege. I heard from his teacher at the end of June that all of the boys who had taken part had maintained their progress.
*You might be wondering what the AAB is. The Academic Achievement Battery (AAB), constructed by Melissa Messer, was published in 2014 by PAR. The AAB is suitable for children and adults (4 - 85 years) and offers 15 subtests in reading, writing, spelling and arithmetic. There are two similarities between the sentence comprehension test from the AAB and reading comprehension as assessed by the Neale Analysis of Reading Ability (2nd British Edition), published by GL Assessment. Both tests assess comprehension while the pupil has the text in front of them. In other words, they are not being assessed on their capacity to remember the text. Like the NARA II, illustrations are an integral part of the AAB test, increasing the appeal of the format for reluctant readers with fragile word recognition skills. The AAB measures reading fluency as the number of correct words read in one minute. The obvious advantage of this approach is that it is quick and easy to use. However, it is not designed to capture the positive changes in expression and engagement with reading that we have become accustomed to hearing. More on this next time!
Practising Poetry - the importance of rhythm for detecting grammatical structures
1 April 2016There are so many overlaps between poetry and music. People ask me frequently why it is that reciting poetry seems to help children, particularly those finding aspects of reading fluency and comprehension somewhat challenging.
Practising poetry by heart, particularly in group teaching is a massively experiential process. The feeling of the sounds in the movement of the face, the jaw and the tongue are dance-like sequences and enjoyed for their bold sensations, which in terms of conveying their mood, colourful tones and timbres are musical in every way. In terms of how it feels, reciting poetry is just like practising a musical instrument; indeed practising poetry through the congruence of movement, sounds and patterns is a deep and enriched form of language learning that we all can enjoy, having mastered this first as infants acquiring our mother-tongue (Nazzi et al., 1998).
If you read aloud or recite Lewis Carroll’s Jabberwocky, it’s easy to evoke the atmosphere and moods created by movement, rhythm and sound, even though the words of the poem are meaningless. Behind the expressive tones of the nonsense words, there’s a robust rhythmical structure and fascinatingly, researchers have found that we respond to the poem as if to a projected illusion of grammatical structure (Bonhage et al., 2015). The importance of rhythmical patterns is that they cast beams of expectation, helping to guide and focus our attention, enabling us to fully anticipate and enjoy all the more, the likely flow of the sounds and the colourful moods of the poem.
The usefulness of rhyme, so popular in children’s literature, is that it offers a fun and playfully supportive, highly accessible and very basic form of phonological awareness. Hearing the rhyming feature in words is a massive anchor for children who may arrive at school struggling to discern word boundaries in a stream of speech. This example of rhyme is from, ‘One fish, two fish, red fish, blue fish by Dr Seuss (1960):
This one has a little star. This one has a little car. Say! what a lot of fish there are.
Rhyming words are also invaluable for those children who come to school with a clearer grasp of language. Children are stimulated by rhymes, because rather than simply following the language of the poem, they are more deliberately focussing their attention in order to predict the placing of the rhyming word at the end of the line or phrase. For these reasons it is not surprising that highly rhythmically aware children are more likely to become good readers (Tierney and Kraus, 2013) – they arrive at school able to anticipate and enjoy the structure of rhythmic patterns in language. Similarly, children who may require a reading intervention thrive when practising poetry because the explicit rhythmical structure and shorter phrase lengths support their attention, helping them to perceive the meaningful elements of language more easily.
In the Rhythm for Reading programme, we takes this principle further still, by providing rhythm-based reading tasks that give the children a chance to build their awareness of rhythmic patterns very rapidly. The sessions are a highly condensed extraction from traditional musical training. Building a strong response to rhythmical patterns, children develop and sustain their attention across increasingly complex musical phrases. Their awareness of rhythm transfers into their reading development after only a few ten-minute sessions.
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Bonhage, Corinna E., et al. (2015) “Combined eye tracking and fMRI reveals neural basis of linguistic predictions during sentence comprehension.” Cortex 68, 33-45
Dr Seuss (1960) One fish two fish red fish blue fish, Random House
Nazzi, T., Bertoncini, J. and Mehler, J. (1998). Language discrimination by newborns: Towards an understanding of the role of rhythm, Journal of Experimental Psychology: Human Perception and Performance, 24, 756-766
Tierney A, Kraus N (2013) Music training for the development of reading skills. Prog Brain Res 207:209 –241
A Happy New Year and a meta-analysis
1 January 2016In recent weeks, Frontiers in Psychology published a meta-analysis by Gordon, Fehd and McCandliss (2015) which asked, ‘Does music training enhance literacy skills?’
The authors described a ‘rapidly accumulating body of evidence’ and listed studies that reported significant associations between musical training and language skills, such as Magne et al. (2006) and others which described enhanced brain responses via musical training to unexpected timing and duration of syllables (Chobert et al., 2011) and pronunciation (Milanov et al., 2009). They also reported significant correlations between musical aptitude (in the absence of musical training) and reading performance (Strait et al., 2011).
Gordon and colleagues also referred to a study in which ability in musical rhythm explained the variance in production of grammar in six year olds and complex sentence structures in a follow up (Gordon et al., 2015) and cited earlier studies of musical rhythm, in which an ability to synchronise with a beat predicted phonological awareness and rapid naming tasks (Woodruff Carr et al., 2014), second grade reading skills (Dellatolas et al., 2009) and better reading performance in adolescence (Tierney and Kraus, 2013).
Historically, scholars have made use of a wide range of literacy-related outcome measures and this proved something of a challenge for Gordon and her co-workers. Assessments of reading ability and phonological awareness have been designed to measure reading comprehension, reading rate, reading accuracy, reading fluency and a variety of phonological awareness related skills. Some measures control for working memory, while others do not. Assessments also vary in their formats. Some simply require an individual child to read a list of single words aloud, while others can be administered to groups of children, requiring them to read passages of connected text in silence. To some extent, direct comparisons of effect size can be made, but unless these are described in terms of their educational context, teachers cannot make informed decisions about the usefulness of rhythm-based approaches for different reading-related skills.
The use of random assignment in an educational setting putatively isolates the impact of an intervention under experimental rather than quasi-experimental conditions; yet no such experimental conditions exist in a school. Indeed the authors’ meta-analysis indicated that the amount of reading-related support given to children was rarely held constant over time. Moreover, the random assignment of individuals to any ‘treatment’ is known to induce positive or negative placebo effects, which can be sufficiently powerful to influence outcomes. In the context of a school, influential factors contributing to such effects typically include (i) compatibility of the individuals within the ‘treatment’ group, (ii) location of the ‘treatment’ in a room associated with a particular function in the school and (iii) timing of the ‘treatment’ to routinely coincide with particular social or academic activities.
All of the studies included by the authors in the meta-analysis have been peer reviewed. Relatively few studies had used the RCT paradigm, but all of the studies compared musical training against controls, included before and after comparison measures and indicated that reading intervention had been held constant across groups. Out of 4855 publications obtained in searches between November 2013 and March 2014, only 13 studies fulfilled these requirements and were included in the meta-analysis.
Three of these studies were considered by the authors to be particularly highly powered because they controlled for IQ and SES; they obtained very large effect sizes. A study of the effect of musical training on word reading obtained an effect size of 1.07 (Moreno et al., 2009). Moritz et al., (2013) reported the effect of musical training on phonological skills (PAT rhyming discrimination), whereas Dege and Schwarzer (2011) showed the impact of musical training on phonological awareness (DEBELS). Both teams found large effect sizes of 1.20 and 0.78 respectively.
To inform future directions for studies of this type, Gordon and colleagues proposed that the following questions should be addressed. For further information about rhythm-based approaches to reading, click here to discuss the Rhythm for Reading programme with us.
1. “What are the effects of different components of interventions (rhythm, pitch; instruments vs. singing; phonological activities in musical context, etc.) on training efficacy?”
2. “What degree of music-driven gains in phonological awareness is needed to impact reading fluency?”
3. “What are the mechanisms underlying improvement: such as attention, motivation, (e.g., OPERA hypothesis; Patel, 2011), speech prosody sensitivity, and/or working memory?”
4. “How are changes in brain function and structure associated with music-training-driven improvements?”
5. “How do individual differences predict response to training? Is there a subset of children that stands to benefit the most from music training?”
(Gordon et al., 2015, p.11)
References
Chobert, J., Marie, C., Francois, C., Schön, D., and Besson, M. (2011). Enhanced passive and active processing of syllables in musician children. J. Cogn. Neurosci. 23, 3874–3887. doi: 10.1162/jocn_a_00088
Dellatolas, G., Watier, L., Le Normand, M. T., Lubart, T., and Chevrie-Muller, C. (2009). Rhythm reproduction in kindergarten, reading performance at second grade, and developmental dyslexia theories. Arch. Clin. Neuropsychol.
24, 555–563. doi: 10.1093/arclin/acp044
Gordon RL, Fehd HM and McCandliss BD (2015) Does Music Training Enhance Literacy Skills? A Meta-Analysis. Front. Psychol. 6:1777.
Gordon, R. L., Shivers, C. M., Wieland, E. A., Kotz, S. A., Yoder, P. J.,
and Devin McAuley, J. (2015). Musical rhythm discrimination explains individual differences in grammar skills in children. Dev. Sci. 18, 635–644. doi: 10.1111/desc.12230
Magne, C., Schön, D., and Besson, M. (2006). Musician children detect pitch violations in both music and language better than nonmusician children: behavioral and electrophysiological approaches. J. Cogn. Neurosci. 18, 199–211. doi: 10.1162/jocn.2006.18.2.199
Milovanov, R., Huotilainen, M., Esquef, P. A., Alku, P., Välimä ̈ki, V., and Tervaniemi, M. (2009). The role of musical aptitude and language skills in preattentive duration processing in school-aged children. Neurosci. Lett. 460, 161–165. doi: 10.1016/j.neulet.2009.05.063
Patel, A. D. (2011). Why would musical training benefit the neural encoding of speech? The OPERA hypothesis Front. Psychol. 2:142 doi:10.3389/fpsyg.2011.00142
Strait, D. L., Hornickel, J., and Kraus, N. (2011). Subcortical processing of speech regularities underlies reading and music aptitude in children. Behav. Brain Funct. 7:44. doi: 10.1186/1744-9081-7-44
Tierney, A. T., and Kraus, N. (2013b). The ability to tap to a beat relates to cognitive, linguistic, and perceptual skills. Brain Lang. 124, 225–231. doi: 10.1016/j.bandl.2012.12.014
Woodruff Carr, K., White-Schwoch, T., Tierney, A. T., Strait, D. L., and Kraus, N. (2014). Beat synchronization predicts neural speech encoding and reading readiness in preschoolers. Proc. Natl. Acad. Sci. U.S.A. 111, 14559–14564. doi: 10.1073/pnas.1406219111
Visiting the library for the very first time
1 December 2015Apart from our group teaching sessions, perhaps the most important part of what we do is to hear children read individually for twenty minutes at the beginning and end of the Rhythm for Reading programme. Through this process we measure their progress, provide useful data for the school and also extend our own expertise on reading development and reading intervention.
In a recent follow-up session, a Year 5 student had discovered to her great relief that she could at last understand the message carried by the words that she read. Her reading reading fluency and comprehension had transformed. With great excitement she explained that she planned to go with her cousin to visit the library in the centre of the city where she lived.
Her bold plan moved and inspired me to visit the Norfolk Children’s Book Centre to put together a list of books for children who have discovered the joy of reading and are preparing to visit their nearest library for the first time. The Norfolk Children’s Book Centre houses some 80,000 children’s books. As dolphins, dinosaurs and gladiators feature prominently in our resources and are extremely popular with the children, they provided an obvious starting point for our search for these particular books.
Davis, N. (2011, illus. Brita Granstrom) Dolphin Baby. Walker Books ISBN 9781406344011
Features such as the rhythmic swing of the language, subtle use of alliteration and the careful exploration of a dolphin’s sound world make this a book that strongly resonates with the musical resources of our reading programme.
Davis, N. (2013, illus. Annabel Wright) Manatee Baby. Walker Books ISBN 9781406340884
Inhabiting the mind of Manuela, we discover how it feels to paddle along the Amazon and to kill a Manatee, a protected mammal. The rhythmic flow of the language is powerful, steering the reader through lavish descriptive writing and moments of buoyant, lively interaction between the characters.
King Smith, D. (2005) Dinosaur Trouble. Penguin ISBN 9780141318455
This enjoyable story is perfect for Rhythm for Reading children who have started to read longer words with confidence and are highly motivated to develop their vocabulary.
Chambers, C. (2015, illus. Emmanuel Certissier) Dinosaur Hunters. Dorling Kindersley IBSN 9780241182598
This is an innovative story for older readers and is refreshingly free from cultural stereotypes. It is about three global citizens from England, Japan and Brazil, who meet through a time-travel App. The descriptive language supplies finely grained details both of historical settings and digital devices.
Burgan, M. (2015) Life as a Gladiator Raintree ISBN 9781474706773
This interactive history adventure allows the reader to construct his / her own storyline using metadata to link to any of three different historical perspectives. It is fast-paced, yet packed with fascinating detail and classical scholarship.
For a copy of the full list please email enquiries@rhythmforreading.com