
Earlier this year, we started to measure our impact in a slightly different way. Many teachers and head teachers have remarked on the improvement in their pupils’ reading fluency, so it seemed important to try to capture what has been happening. Of course, there are different ways to define and to measure reading fluency, but here is a snapshot of what we found when using two types of assessment. Luke (not his real name) aged 11, attends an outstanding school in the East of England and according to the school’s tracking data in December 2015, his reading age was 8 years, 3 months, which was broadly in line with our baseline reading rate score using the Neale Analysis of Reading Ability (NARA II).
Luke has a SEND diagnosis, and he participated in the Rhythm for Reading sessions with unwavering commitment. Although he was quite a bit younger, he quickly became the leader of a group of adolescent boys all of whom struggled with attainment across the curriculum. Luke’s teacher observed all of the sessions. She was amazed by his confident approach and said that this was a side of him that the staff at school had not seen before.
The ten sessions of the programme ended in March 2016. Luke had gained 7 months in reading fluency (AAB)* and 35 months in sentence comprehension (AAB). His scores on the NARA II showed a gain of 13 months in accuracy, 8 months in comprehension and 38 months in rate of reading.
Luke’s teacher observed his classwork and filled in a tick box survey, comparing his recent progress during the programme with his usual rate of progress. During the period from January to March 2016, his teacher observed that he’d made better progress than usual in using punctuation, understanding texts, participating in class and in his attitude towards reading.
In March, I asked Luke whether or not he’d noticed a change in his reading since we started the programme. He replied, “It’s helped me with my reading and my eye focussing and my concentrating.” When I asked him how that made him feel, his response was heartfelt,
It makes me feel better. It makes me want to read more. I never wanted to read. I never used to read. Now I love reading.
Hearing Luke read expressively and effortlessly on that day was wonderful, but to hear him proclaim his enjoyment of reading was such a privilege. I heard from his teacher at the end of June that all of the boys who had taken part had maintained their progress.
*You might be wondering what the AAB is. The Academic Achievement Battery (AAB), constructed by Melissa Messer, was published in 2014 by PAR. The AAB is suitable for children and adults (4 - 85 years) and offers 15 subtests in reading, writing, spelling and arithmetic. There are two similarities between the sentence comprehension test from the AAB and reading comprehension as assessed by the Neale Analysis of Reading Ability (2nd British Edition), published by GL Assessment. Both tests assess comprehension while the pupil has the text in front of them. In other words, they are not being assessed on their capacity to remember the text. Like the NARA II, illustrations are an integral part of the AAB test, increasing the appeal of the format for reluctant readers with fragile word recognition skills. The AAB measures reading fluency as the number of correct words read in one minute. The obvious advantage of this approach is that it is quick and easy to use. However, it is not designed to capture the positive changes in expression and engagement with reading that we have become accustomed to hearing. More on this next time!

This post describes the tenth of ten Rhythm for Reading programme sessions. By this stage in the reading intervention, everyone in the group can sight-read both simple and comparatively complex music notation with ease and confidence. To do this, our eyes are glued onto the board, our voices are synchronised and we’ve gelled through teamwork. The important part is this: the group experiences music at a deeper, more interpersonal level when these skills become reliable and relaxed, even when facing more challenging tasks. Here’s a short description of how this felt in the final session of the programme and a quick drill down into the concept.
After a couple of minutes, everyone’s behaviour changed at the same time. There was a sharp increase in the level of congruence in the group. Standing calmly as the task ended, they waited and gladly repeated the experience, expanding even more fully into the sounds they were creating. This level of working was maintained consistently for a further eight minutes, after which the group left the room feeling energised and calm, returning cheerfully to class.
These words have been carefully chosen to describe as accurately as possible how working in this way with the rhythm-based elements of music makes a difference to emotional well-being. Congruence in this sense refers to the sheer strength and coherence of our perception of rhythmic patterns, particularly when working as a group. Gains in reading behaviour can be measured, but the more profound benefits to wellbeing such as the increase in confidence and happiness that many children describe, are not measurable in this or any form of group teaching.
This rather reminds me of psychologist Mihaly Csikszentmihalyi’s work on ‘flow’ or ‘optimal experience’. Optimal experiences are life-affirming, intrinsically rewarding and in terms of pedagogy, they are highly desirable because they boost students’ confidence and motivation. They can be very helpful in realigning attitudes towards reward, so that students become motivated by the sheer joy of taking part rather than wanting to know what they will ‘get’ in return for taking part.
The spontaneous element of what I have described is not trivial, but extremely important, as it describes how the deeper and more satisfying levels of engagement can be achieved through working in this way. Perhaps it is our irrepressible ability to generate congruence from patterns in music and language that fuels our joy of reading and of music making.
Find out more here
Reference
Csikszentmihalyi, M. (2002) ‘Flow: The classic work on how to achieve happiness’ Rider, Random House, ISBN 9780712657594
Apart from our group teaching sessions, perhaps the most important part of what we do is to hear children read individually for twenty minutes at the beginning and end of the Rhythm for Reading programme. Through this process we measure their progress, provide useful data for the school and also extend our own expertise on reading development and reading intervention.
In a recent follow-up session, a Year 5 student had discovered to her great relief that she could at last understand the message carried by the words that she read. Her reading reading fluency and comprehension had transformed. With great excitement she explained that she planned to go with her cousin to visit the library in the centre of the city where she lived.
Her bold plan moved and inspired me to visit the Norfolk Children’s Book Centre to put together a list of books for children who have discovered the joy of reading and are preparing to visit their nearest library for the first time. The Norfolk Children’s Book Centre houses some 80,000 children’s books. As dolphins, dinosaurs and gladiators feature prominently in our resources and are extremely popular with the children, they provided an obvious starting point for our search for these particular books.
Davis, N. (2011, illus. Brita Granstrom) Dolphin Baby. Walker Books ISBN 9781406344011
Features such as the rhythmic swing of the language, subtle use of alliteration and the careful exploration of a dolphin’s sound world make this a book that strongly resonates with the musical resources of our reading programme.
Davis, N. (2013, illus. Annabel Wright) Manatee Baby. Walker Books ISBN 9781406340884
Inhabiting the mind of Manuela, we discover how it feels to paddle along the Amazon and to kill a Manatee, a protected mammal. The rhythmic flow of the language is powerful, steering the reader through lavish descriptive writing and moments of buoyant, lively interaction between the characters.
King Smith, D. (2005) Dinosaur Trouble. Penguin ISBN 9780141318455
This enjoyable story is perfect for Rhythm for Reading children who have started to read longer words with confidence and are highly motivated to develop their vocabulary.
Chambers, C. (2015, illus. Emmanuel Certissier) Dinosaur Hunters. Dorling Kindersley IBSN 9780241182598
This is an innovative story for older readers and is refreshingly free from cultural stereotypes. It is about three global citizens from England, Japan and Brazil, who meet through a time-travel App. The descriptive language supplies finely grained details both of historical settings and digital devices.
Burgan, M. (2015) Life as a Gladiator Raintree ISBN 9781474706773
This interactive history adventure allows the reader to construct his / her own storyline using metadata to link to any of three different historical perspectives. It is fast-paced, yet packed with fascinating detail and classical scholarship.
For a copy of the full list please email enquiries@rhythmforreading.com
At this time of year it’s good to feel that much has been accomplished. Reading programmes have been completed, training delivered, progress measured, reports read, certificates received and so on. However, educating children and young people is about so much more than ticking lists of to dos.
I’m so grateful to work with fabulous teachers in the schools that I visit on my travels with the Rhythm for Reading programme and I’ve experienced close-up their boundless enthusiasm, interest in trying new things and dedication to supporting their pupils in every possible way. Accelerating progress and boosting wellbeing are important educational goals of course, but equally prominent should be the development of a very profound sense of social connectedness in our group teaching. A ten-year old boy explained this very clearly to me recently,
“It made me feel welcome to the group because everyone was doing the same thing. Everybody knew it. I didn’t feel left out because usually I feel left out in a group.”
For me, this suggests that some children respond particularly positively to the highly structured group activities of the reading intervention. The phrase, ‘Everybody knew it’ mirrors the emotional security that develops when the certainty of knowing exactly what to do and say, is complemented by knowing how to contribute with confidence. When the barrier of uncertainty has been eliminated, learning can be experienced as a limitless, virtuous cycle.
In this particular instance, the virtuous cycle was achieved through highly structured Rhythm for Reading programme group sessions in which the synchronised response of the group was an intrinsic element of the pedagogy. The group grew in confidence week by week, as the tasks that they accomplished together during the reading programme became increasingly intricate, fast-paced and complex; consequently they enjoyed a profoundly social experience of learning.
I’m reminded by Hall, Curtin & Rutherford to mention Lave’s pertinent advice – which is so relevant here and now: Learning is not something in itself, it is part of social life. (Hall et al., 2014, p.166)
Hall, K., Curtin, A. and Rutherford, V. (2014). Networks of Minds: Learning, Culture and Neuroscience, London and New York, Routledge
Lave, J. (1996). Teaching, as learning, in practice. Mind, Culture and Activity 3(3): 149-164
As educators we are required to make thousands of small but important decisions everyday. Striking the right balance involves blending professional judgement with our integrity and experience. Through reflection perhaps with colleagues, we are constantly learning from our experiences.
I have been thinking hard about special education (SEND) recently. The Rhythm for Reading programme promotes inclusive approaches. Students with learning differences are fully involved alongside their classmates and the programme is accessible even to those who cannot yet read simple words such as ‘cat’. This is what a child said recently to me about the programme: “I liked how we had to keep it in the team at the same time. I felt more surrounded. I had people to keep me upright.” So, when a pupil shows absolutely no desire to contribute to even the most basic of Rhythm for Reading exercises, whilst all around him others are learning rapidly and having fun, my own personal learning journey fires up in a big way.
Each Rhythm for Reading session is only ten minutes long and so every second is precious. Is this child withdrawn, overwhelmed, lacking in confidence, lacking social skills, frightened or generally resistant to new things? What is clear and of concern to me is that he is ignored by the other children and hardly responds to anything I say or do. His teachers are highly protective of him and they can recite a list of issues and medical problems: he is a special child.
I believe that if a child processes and performs tasks more slowly than his classmates, as educators we must help him to develop the strategies that he needs to adapt to different settings. Self-regulation strategies for example, are key for learning road safety skills: learning to judge the speed of traffic, inhibiting the impulse to wander into the road, as well as being able to find a safe place to cross are essential to every child’s survival, no matter how special that child’s needs might be. While road safety lessons are clearly a matter of life and death, it is the quality of life of each child that is determined in the classroom. To teach a special child to cope with a broad range of settings with confidence is a highly worthwhile investment of our time and energy. There are so many benefits of joining in with others in a structured group teaching activity. It is enormous fun and a profound sense of belonging and unity develops through cooperation. Of course, this outcome can only be fully enjoyed by everyone, if everyone has contributed wholeheartedly to the success of the task.
If you have enjoyed this blog, you might also like to learn more about our work on metacognition and self-regulation. If you’d like more information about the programme, contact me direct, or sign up for free weekly ‘Insights’, which launches next week!