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The Rhythm for Reading blog

All posts tagged 'reading-with-ease'

Clowns and Chameleons on World Read Aloud Day

7 February 2024

Image Credit: Eder Pozo Perez via Unsplash
Image Credit: Eder Pozo Perez via Unsplash

World Read Aloud Day sounds like a lot of fun! Reading aloud in pairs for example, can really encourage expression and fluency, as well as enhance the joy of reading. When children share book together they are more likely to connect more deeply with the ‘voice’ of the author. This is amazing! Pairing up with a book creates the opportunity to open up to the narrative in a completely new way.

There is however, another side to World Read Aloud Day that is more complex. Some children are not able to ‘open up’ to sharing a book or to being part of a group. They are dealing with challenges of various kinds and the social expectation to ‘enjoy’ reading aloud might be too much for them. As educators, we can help these children to feel more ‘centred’ by letting them know that they are safe - for example by choosing to look at a picture book in a quiet space. Read on to find out why this is so important.

Making allowances for emotional, mental and physical health when teaching reading

Symptoms of anxiety and depression correlate with difficulties with reading, including processing speed, focus and concentration among children aged nine and eleven. To make matters worse, researchers have found that not only do these symptoms make reading difficult, but that experiencing trouble with reading and other academic skills affects children’s sense of self-worth and drives anxiety levels up (Lundy et al., 2010).

The stress associated with early childhood adversity can have a profound and substantial effect on the development of adequate reading skills as well as functions such as memory and verbal ability. Associated factors such as changing schools frequently, can exacerbate these learning differences. Taken together, the lack of structure in the child’s life can affect their ability to comprehend on-going themes while reading, and also their motivation to read (Yasik et al., 2007).

Physical challenges are no less valid. Children with glucose dysregulation, perhaps due to diabetes or hyperglycaemia are more likely to have an increased risk for difficulties with cognitive skills such as reading (Naguib et al., 2009). Physical health issues can disrupt learning through fatigue, and there may be multiple appointments and low school attendance.

All of these factors can build up to generate anxiety about falling behind, and it is this anxiety that is most likely to interfere with reading. Many studies have produced mixed results, so it’s not possible at present to generalise widely about the relationship between child health and reading development. However, it is good practice to assess physical and emotional health when identifying children with fragile reading, so that any underlying issues are not overlooked.

When children buck the trend

There are many wonderful teachers who are keen to protect children from stress. Child-led activities such as reading aloud, in which everyone muddles through are not always the answer, however. A more structured approach can be more helpful for disadvantaged children as it allows them to find an obvious path on which they can make clear progress. And yet progress, in the face of challenges requires grit!

There are children who exude grit - and grit is the strongest predictor of educational outcomes. Grit outperforms other factors - even the child’s age and IQ, which is amazing. Grit has been defined by Duckworth and colleagues (2007; p. 1087). as:

Perseverance and passion for long-term goals…[grit] entails working strenuously toward challenges, maintaining effort and interest over the years, despite failure, adversity and plateaus in progress

The paradox of bilingualism

Of course, language skills are also among the strongest predictors of children’s reading development (Dickenson et al., 2010).

Interestingly, according to Siegal and coworkers (2011) when compared with monolingual children, bilingual children display:

  • better control of attention,
  • greater maturity and insight when understanding the meaning of spoken language, and
  • a more adult-like moral reasoning.

In my own experience of interviewing parents, who did not speak English, their bilingual children were able translate for them. I learned that these children helped their parents with ‘life-admin’ such as completing official documents and forms. Despite these responsibilities, or perhaps because of the stress of these experiences, these bilingual children struggled to achieve age appropriate levels of reading comprehension and academic attainment. Factors such as poverty and family mobility are thought to explain this paradox (Melby et al, 2014).

The challenges that children with ‘dyslexia’ face when reading aloud

Although I love the idea that reading aloud is fun, for some children reading aloud puts them at risk of ridicule. An unstructured activity may lead to them feeling anxious and unsafe. When children with specific learning difficulties are asked to read aloud in class, potential exists for a downward spiral to begin. Shameful feelings that begin in this way have the potential to shape a child’s future.

  • Teasing by classmates leads to social isolation
  • Inappropriate teaching such as memorising lists of words gives way to to frustration
  • Substandard work in class generates a label of laziness, followed by truancy and disaffection
  • Risk-taking behaviour develops into petty crime and
  • Poor choices over time lead to juvenile court and a possible conviction.

Dyslexia is an umbrella term for a wide range of specific learning perceptual difficulties with words, which might affect reading, writing or spelling. Some children manage to compensate for their dyslexia by developing coping strategies, whereas others do not achieve this. Stress affects the symptoms associated with dyslexia such as the visual illusion of the print wobbling or fading in and out. This instability also plays out in the child’s working memory.

Michael Thompson (1982d; cf 1990) compared a group of children identified with dyslexia with two control groups:

  • reading age controls, and
  • chronological age controls.

Both control groups outperformed the group with a diagnosis of dyslexia.

Reading age controls were four years younger than the ‘dyslexic’ group, but scored higher on reading rate. Chronological age controls matched the ‘dyslexic’ group on age, but they were more than four years ahead of the dyslexic group in reading.

The scores for the dyslexic group were approximately five years behind those of their classmates on reading rate and accuracy. Imagine for a moment how these children would have feltl when reading aloud in class, knowing that their peer group who were able to read with far more fluency and ease, were listening.

As is often the case, the dyslexic group had a very uneven performance on reading. Their understanding of the text was two years behind their actual age, and thirty months more advanced than their reading rate score. Being able to understand the text in this sketchy way would have felt limiting and frustrating, and at the same time they would have known that ‘reading’ as a developmental ‘milestone’ had not been met.

In the classroom setting, stress, shame and anxiety can send the struggling child into a downward spiral of low-self-esteem. Some children manage these heavy feelings by ‘performing’ for their classmates. They want to reclaim their identity and to normalise their reading situation as ‘a bit of a joke’. Playing the ‘fool’ or ‘clown’ to distract everyone enables them to find their place among their peers once again. This is amusing for classmates and dissipates any temporary feelings of humiliation or ‘loss of face’. And yet, deeper down, the unprocessed shame is stored and slowly builds up day by day. The teacher might go along with the humour, perhaps not quite aware of the pain it attempts to conceal, before settling the class into a new task.

An alternative strategy adopted by other struggling children is to become ‘invisible’ all of the time. Their goal is to become so quiet that they are overlooked. They hide behind a mask of silence, stillness and impeccable behaviour. They are so successful that no one really notices that they are left behind. In fact, the more conspicuous ‘clown’ posturing of the extrovert members of the class helps these quiet chameleons to blend into the background with even more ease.

As increasing numbers of children become vulnerable to poverty, as well as emotional and mental health challenges, it is even more important for schools to consider the emotional well-being and safety of children who struggle with reading aloud. Sadly, a child’s trajectory of self-worth and emotional balance can be changed permanently through reading aloud, with devastating effects going forwards into adolescence and adult life. Dyslexic children do learn to read, but it takes them significantly longer than other children. Supportive strategies can definitely help them to accelerate along their reading journey.

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Supporting children with a ‘fuzzy’ awareness of phonemes and other symptoms consistent with dyslexia

Children with a specific learning difficulty often find that as they start to make marks on the page, the words in their mind fade or fragment. For these children, every hour of every day spent in the classroom, presents a new mountain to climb. Their working memory capacity always lets them down, no matter how hard they try to focus their attention.

Fluency! Finding Flow in Early Reading

From a rhythm-based perspective, the key words in this quotation are ‘attends’ and ‘attention’. The child’s capacity to sustain their attention determines the fluency of their reading. Attention is the cognitive ‘fuel’ necessary to ‘drive’ this fluency and to extract the author’s ‘message’ from the alignment of the letters, words and phrases as units of meaning.

‘Temenos’ and safety in school

We often hear about the dangers of cyberspace, where cyber-bullying is rife and children are vulnerable. Now imagine for a moment the relief of reaching the ultimate refuge. Temenos is a Greek concept that describes a sanctuary, a space of absolute safety and harmonious balance, where individuals uphold an immutable self-respect and where criticism and judgment are suspended.

Ears, Eyes, Voices and Early Reading

The development of early reading depends on the efficient coordination between the ear and the eye. Strong associations between letters and their sounds help children to learn to recognise words on the page. Voices matter too. Educators have realised that poor oral language skills are a strong predictor of poor literacy (Stackhouse & Well, 1997) and that socially disadvantaged children are more likely to lag behind in their vocabulary development when compared with more affluent peers (Fernauld et al, 2013) and require a reading intervention. Indeed, research indicates that sharpening rhythmic awareness supports children’s ability to process information (Long, 2016), better perceive the sounds of language, to read more fluently and with more understanding (Long, 2014).

References

Dickenson et al., (2010) Speaking out for language: why language is central to reading development.Educational Researcher, 39, 305-310

Duckworth et al., (2007) Grit, perseverance and passion for long-term goals, Journal of Personality and Social Psychology 92 (6), 1087-1101

Lundy et al., (2010) Cognitive functioning and academic performance in elementary school children with anxious / depressed and withdrawn symptoms, open Paediatric Medicine Journal, 14, 1-9

Melby-Lervåg, M. and Lervåg, A. (2014) Reading comprehension and its underlying components in second-language learners: A meta-analysis of studies comparing first and second-language learners, psychological Bulletin, 140 (2), 409-433

Naguib et al., (2009) Neuro-cognitive performance in children with type-I diabetes: A meta analysis, Journal of Pediatric Psychology, 34, 271-282.

Siegel et al., (2011) exploring the effects of bilingualism on children’s conversational understanding and moral sense. In M. Siegal and L. Syrian (Eds) Access to language and cognitive development. New York: Oxford University Press.

Thompson, M. (1982) Reading and spelling errors in dyslexic children: delayed or deviant?

Thompson, M. (1990) Developmental Dyslexia, third edition, Cole & Whurr Ltd: London

Yasik et al., (2007) Posttraumatix stress disorder: Memory and learning performance in children and adolescents, Biological Psychiatry, 61, 382-388

Rhythm, phonemes, fluency and luggage

12 December 2022

Image credit: Filipp Romanovski, via Unsplash
Image credit: Filipp Romanovski, via Unsplash

Louis Vuitton began his career in logistics and packing, before moving on to design a system of beautiful trunks, cases and bags that utilised space efficiently and eased the flow of luggage during transit. He protected his designer luggage using a logo and geometric motifs. The dimensions of each piece differed in terms of shape and size, and yet it was undeniable that they all belonged together as a set - not only because they matched in appearance, but also because each piece of the set could be contained within a larger piece. In fact, the entire set was designed to fit into the largest piece of all.

The grammatical structures of language and music share this same principle that underpinned the Louis Vuitton concept. In a language utterance, the tone, the pace and the shape of the sound waves carry a message at every level - from the smallest phoneme to the trajectory of the entire sentence.

The shapes of individual syllables are contained within the shapes of words. The shapes of words are contained within the shapes of phrases and sentences. Although these are constantly changing in real time - like a kaleidoscope, the principle of hierarchy - a single unit that fits perfectly within another remains robust.

In music, the shapes of riffs, licks, motifs, melodies and phrases are highly varied, but the hierarchical principle remains a constant here too. The musical message is heard in the tone, the pace and the shape of the smallest and largest units of a musical phrase.

Just as Vuitton used design to create accurate dimensions at every level of his luggage set, the same degree of precision is also achieved at a subconscious level in spoken language and in music. A protruding syllable, the wrong emphasis or inflection can throw the meaning of an entire sentence out of alignment. A musical message is similarly diluted if a beat protrudes, is cut short or is lengthened, because the length and shape of an entire phrase is distorted.

Arguably, the precise dimensions in Vuitton’s groundbreaking designs reflect a preference for proportion and balance that also underpins human communication involving sound. Our delight in the consummation of symmetry, grammar and rhyme is present in the rhythm of language and also in music. At a conceptual level, it is ratio that unifies the Vuitton designs with language and music, and it is ratio that anchors our human experience in interaction with one another and our environment.

This concept of ratio, as well as hierarchical relationships and the precision of rhythm in real time underpin the Rhythm for Reading programme. Think of this reading intervention as an opportunity to reorganise reading behaviour using a beautiful luggage set, designed for phonemes, syllables, words and phrases. It’s an organisational system that facilitates the development of reading fluency, and also reading with ease, enjoyment and understanding.

When Rhythm and Phonics Collide Part 2

11 November 2022

In my last post I described a typical challenge facing a child with poor phonological awareness. Using a rapid colour naming test (CToPP2), it’s possible to identify that a weakness in processing the smallest sounds of language often occurs at the onset of a phoneme, in other words the onset of a syllable. Consonant blends and consonant digraphs are more affected, so, conflation between ‘thr’ and ‘fr’, or ‘cl’ and ‘gl’ is likely to happen and to impede the development of reading with ease and fluency.

The notion that sensitivity to both rhythm and the smallest sounds of language overlap in terms of data has been around for decades. A positive correlation between sensitivity to rhythm and phonemic sensitivity has been shown in many studies. It’s easy to understand that rhythm and phonological processing overlap if we consider that the start of a phoneme - the onset of a syllable is exactly where sensitivity to rhythm is measured - whether that’s the start of a musical sound or a spoken utterance.

Thinking for a moment about words that begin with a consonant, imagine focussing mostly on the vowel sound of each syllable, without being able to discern the shape of the initial phoneme with sufficient clarity. The sounds would merge together into a kind of ambient speech puddle.

Vowel sounds carry interesting information such as emotion, or tone of voice. They are longer (in milliseconds) and without defined edges. Now imagine focussing on the onset of those syllables. The consonants are shorter (in milliseconds), more sharply defined and more distinctive, leaving plenty of headspace for cognitive control. If consonants are prioritised, information flows easily and the message lands with clarity.

The Rhythm for Reading programme addresses these distinctions through group teaching that is fun and supports early reading in particular. Information processing is enhanced by sensitivity to rhythm because rhythm focusses attention onto the onset of the sound, which is where the details are sharpest. This kind of information processing remain effortless, easy and fluent.

If you’d like to know a little more about this, the details are summarised in a free infographic. Click here.

Image Credit: Thank you Rupert Britton via Unsplash
Image Credit: Thank you Rupert Britton via Unsplash

Empowering children to read musical notation fluently

4 November 2022

Image by Leigh Cooper via Unsplash
Image by Leigh Cooper via Unsplash

Schools face significant challenges in deciding how best to introduce musical notation into their curriculum. Resources are already stretched. Some pupils are already under strain because they struggle with reading in the core curriculum. The big question is how to integrate musical notation into curriculum planning in a way that empowers not only the children, but also the teachers.

The tried and tested ways of teaching musical notation are best suited to pupils who process information with ease. Traditionally, piano teachers begin with mnemonics for the notes that sit on the lines of the stave EGBDF (Every Good Boy Deserves Favour) GBDFA (Good Boys Deserve Fun Always) and for the notes that sit on the spaces FACE (Face) and ACEG (All Cows Eat Grass). Many teachers use these mnemonics to introduce a series of line notes and / or space notes all at once, which creates a heavy cognitive load.

What about all the children who struggle to process information, reading with ease and fluency?

Well-intentioned efforts to adapt musical notation for children who struggle to process the mnemonics, involve adding more information and increasing the cognitive load.

What is going on here?

Music teachers want children to enjoy making music and to have fun producing sounds on their instruments and they hope that in time, reading notation will gradually become familiar and easier to read. Until that point, music teachers add extra information to remind the child of the letter names of the notes. In the same vein, they often add numbers representing the finger patterns, to remind the child how to produce sounds on the instrument.

Soon enough, the page is cluttered with markings and the child has to select which ones to read.

These markings are intended as a quick fix, aiming to keep the child engaged. But of course the child relies on the letters, or the numbers, or both instead of reading the actual notes. This approach sets the child up to fail in the sense that they do not learn to read notation at all and even worse, assume that it is too difficult for them.

What could teachers do differently to support children who do not process information with ease and fluency?

A more inclusive approach would limit the cognitive load on children’s reading - which is what we do in the Rhythm for Reading Programme. Rather than teaching all the notes at once, we focus on just a few notes and develop fluency (and fun) in reading right from the start. Instead of learning the musical notes at the same time as playing musical instruments, which adds to the cognitive load, we simply use our feet, our hands and our voices, as we believe these are our most natural musical instruments.

Group learning in a structured programme supports the development of fluency, because the children are nurtured by the ethos of working together. Teamwork in combination with rhythm is an effective way to build fluency in reading, and acts as a catalyst for accelerated progress.

Stepping up: From phonemes to comprehension

14 May 2015

As we move deeper into the digital era, we are faced with new challenges for the future of our education system. Independent online learning and unlimited access to information is our new reality. We are striving to adapt to innovative new ideas, to release familiar old ways, and to step up and out of comfort zones into dazzling new ways of thinking and responsiveness in a faster-paced world.

In an age in which skilled manual labour is increasingly being replaced by robots and highly sophisticated technology, reading at a ‘functional’ level has become a massively out-dated concept. Similarly, the widespread practice of training children to answer a question about a written passage by identifying a key word in the question, locating it in the text and then writing out the sentence that surrounds it, is not only a waste of time, but this sham practice is harmful: it allows children to assume that reading is nothing more than a mundane word search exercise.

A specific and urgent challenge for educators today is this: to find a new type of reading intervention that will equip children to read with fluency and understanding. The current emphasis on systematic phonics is disproportionate. We must remember this: phonemes are the smallest sounds of language, each phoneme occupies only a tiny proportion of any sentence, amounting in natural speech to only a fraction of a second. A reading programme with a focus on static individual sounds has a decontextualising effect and dilutes the natural rhythmic flow of language comprehension.This is why a disproportionate amount of time spent on phonics in group teaching can, over the long term, interfere with the development of reading with ease, fluency and comprehension.

Reading well is a feat of delicate coordination between the reader’s eyes, ears and mind in alignment with the ‘voice’ of the author. Achieving this alignment is the process that allows the reader to assimilate meaning as it ‘flies’ off the page (or screen) into the reader’s consciousness.

Reading well depends on an intuitive response to the underlying binary relationship between the subject and predicate in every sentence. The syntax determines the rhythmic structure of the sentence. Consequently, the rhythmic ebb and flow of written language should be felt as intuitively as the rhythmic ebb and flow of speech utterances, even though styles of writing and of speech vary widely. The sentence as a whole and coherent unit is vibrant, elastic and flexible with its meaning perceived not through the synthesis of its many phonemes, but through its overall rhythm and structure.

If you’ve enjoyed this post, Rhythm for Reading programme weekly insights will be of interest. You can sign up for these at the top of the page.

Fluent reading - some thoughts

12 January 2015

Reading is mysterious. It can be deconstructed into its constituent parts such as vocabulary, contextual knowledge, grapheme recognition, phonological awareness and so on and represented in flow diagrams. However, after many years of scholarly research, the processes that contribute to fluent reading are still not fully understood.

When a child’s reading fails to flow, they receive phonological awareness training, a staple reading intervention strategy in schools. This is fairly unsurprising because research suggests that difficulties with phonemic awareness are strongly related to specific problems with reading and spelling.

Phonemes are the smallest units of sound in language and each of these tiny sounds occupies a fraction of a second in the flow of spoken language in real time. Although the development of phonological awareness is necessary at the early stages of a reading programme, it is not sufficient for the development of reading with ease, fluency and comprehension.

Fluent readers intuitively convert print into meaningful language. To do this, they focus their attention in a particular way, which enables them to monitor and assimilate meaning from the content of printed language while they read. Their experience of reading is dynamic and responsive. Fluent readers are simultaneously aware of grammatical structures, evocative details in the language and the resonance of these details with their knowledge of the context.

When a learner’s reading doesn’t flow easily, it is likely that that their attention has for too long supported their reading as relatively static experience, rather than as a dynamic activity. If you’d like to know more, sign up for weekly insights into the Rhythm for Reading programme.

A few words on the subject of rhythm

12 October 2014

Whether chanting slogans, learning times tables, conjugating verbs, memorising telephone numbers or reciting poetry, the chances are that most people have at some point relied on their sense of rhythm to memorise units of information. The regular beat underpinning a rhythmic pattern generates a stable framework, pulling discrete units of information together into chunks that are more easily remembered. The regular beat is as predictable (and cyclical) as the sound of waves breaking on the shore. However, the presence of rhythm in our everyday lives is relatively subtle, particularly where language is concerned. This may be because our perception of time is predominantly linear in terms of having a past, present and future or in terms of structure, a beginning, middle and end. We make linear arrangements of words on a page and are usually fixated on the end point – debating how effective and how satisfactory the resolution might be.

Both the process of reading in order to learn and the sense of reading with ease and fluency and understanding that we experience when reading for pleasure are little understood by researchers, but the role of rhythm is key, as the Rhythm for Reading blog will explain in the posts that follow.

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